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Castles of faith. The transmission of the Kyrie trope set Deus solus et immensus as an example of liturgical exegesis in the orthodoxy

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Tello Ruiz-Pérez, Arturo (2012) Castles of faith. The transmission of the Kyrie trope set Deus solus et immensus as an example of liturgical exegesis in the orthodoxy. In Cantus Planus. Study Group of the IMS. Papers read at the 16th meeting Vienna, Austria, 2011. Robert Klugseder (ed.) / Österreichische Akademie der Wissenschaften-Verlag Brüder Hollinek, Purkersdorf (Hungría), pp. 384-389. ISBN 978 3-85119-336-7

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URL Oficial: http://www.cantusplanus.org/



Resumen

Taking the relationship between cultural transferences and musicology as a starting point, the Kyrie trope, Deus solus et immensus, is an extraordinary case-study in the historical context of local exchanges produced in the repertoire of the liturgical song. Beyond the philological-musical research, the main stylistic patterns of transmission (readings, variant, elements, etc.) are clearly identifiable to be of the utmost importance for some liturgical dynamics as well as the most varied features of identity related to the theological thought in the Christian conception of faith. Thus, it is necessary to take into account both the liturgical and theological effect of a sacred work in order to understand properly the tradition of plainsong such as Deus solus et immensus. Regarding to this point, the moral doctrine “ut legem credendi lex statuat supplicandi” (Prosper of Aquitaine, PL 50, 535B) recovers the most authentic application of its meaning in the liturgy and therefore a comprehensive analysis will be proposed in this paper with the aim of understanding the singularity of a manuscript tradition extended as a whole from St. Gall in the middle of the 10th century to Gerona at the end of the 15th century.


Tipo de documento:Sección de libro
Palabras clave:Canto gregoriano; Tropos; Liturgia; Teología; Herejía
Palabras clave (otros idiomas):Gregorian chant; Plainchant; Tropes; Liturgy; Theology; Heresy
Materias:Humanidades > Historia > Archivos
Humanidades > Historia > Historia de las religiones
Humanidades > Música
Humanidades > Música > Música medieval
Humanidades > Música > Música sacra
Humanidades > Música > Música vocal
Humanidades > Religión
Humanidades > Religión > Cristianismo
Humanidades > Religión > Teología
Humanidades > Filología > Crítica textual
Humanidades > Filología > Literatura
Humanidades > Filología > Filología latina
Código ID:16301
Depositado:12 Sep 2012 09:02
Última Modificación:30 Sep 2014 11:58

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