Publication: Los contextos de transmisión manuscrita del "Isagogicon moralis disciplinae" de Leonardo Bruni
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2011
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Sociedad Española de Estudios Clásicos
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Abstract
La difusión manuscrita del "Isagogicon moralis disciplinae" (1424/1425) de Leonardo Bruni fue extraordinaria y se puede afirmar que la circulación de la obra fue programada, en cierta manera, por el propio autor. Hemos establecido tres tipos de difusión manuscrita de acuerdo con sus “compañeros de viaje” y los ámbitos de destino. Como ejemplo ilustrativo de la propagación del "Isagogicon" expondremos el caso de los códices conservados en las bibliotecas españolas.
The handwritten diffusion of "Isagogicon moralis disciplinae" (1424/1425) of Leonardo Bruni was extraordinary and we can say that the circulation of the work was programmed by the author in any way. We have established three types of spreading according to their "fellow travelers" and to their areas of destination. As an illustration of the spread of "Isagogicon" we will discuss the case of manuscripts that are preserved in Spanish libraries.
The handwritten diffusion of "Isagogicon moralis disciplinae" (1424/1425) of Leonardo Bruni was extraordinary and we can say that the circulation of the work was programmed by the author in any way. We have established three types of spreading according to their "fellow travelers" and to their areas of destination. As an illustration of the spread of "Isagogicon" we will discuss the case of manuscripts that are preserved in Spanish libraries.