Publication: Imágenes contemporáneas del Decameron en España: comicidad, sensualidad y erotismo. El realismo en (el ejemplo de IV,5)
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2014
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Se analizan algunas ediciones ilustradas ibéricas del ‘Decameron’ para enriquecer el amplio catálogo europeo, profundizar en la recepción del libro en nuestra península y enfocar algunos rasgos de la función semiótica de la ilustración del libro. La presentación editorial y el manejo del texto a partir de la segunda mitad del siglo XX se alejan ya tanto de la voluntad de censura dictada por la sensibilidad de años anteriores como del erotismo que ignora y parcializa el significado del libro en etapas pasadas. Los criterios sociales, éticos y estéticos de los diferentes contextos culturales más cercanos explican el amplio abanico de realizaciones. El ejemplo del cuento trágico IV,5 de Lisabetta de Messina transmite la personal sensibilidad y directrices de algunos ilustradores: el humor de José Narro (nacido en 1902), la sensualidad de Eberhard Schlotter (1921-2014) o el acentuado erotismo de Celedonio Perellón (1926)
Some Iberian illustrated editions of the ' Decameron ' are analyzed to enrich the wider European catalog , deepen the reception of the book in our peninsula and focus some aspects of the semiotic function of book illustration . Editorial presentation and management of text from the second half of the twentieth century and thus away from the will of censorship dictated by the sensitivity of previous years as of eroticism and partializes ignoring the meaning of the book in last stages . Social , ethical and aesthetic criteria of the different cultural contexts closest explain the wide range of accomplishments. The example of the tragic tale IV , 5 Lisabetta Messina transmits personal sensitivity and illustrators some guidelines : the mood of Jose Narro (born in 1902 ) , the sensuality of Eberhard Schlotter ( 1921-2014 ) or the pointed eroticism of Celedonio Perellón ( 1926 )
Some Iberian illustrated editions of the ' Decameron ' are analyzed to enrich the wider European catalog , deepen the reception of the book in our peninsula and focus some aspects of the semiotic function of book illustration . Editorial presentation and management of text from the second half of the twentieth century and thus away from the will of censorship dictated by the sensitivity of previous years as of eroticism and partializes ignoring the meaning of the book in last stages . Social , ethical and aesthetic criteria of the different cultural contexts closest explain the wide range of accomplishments. The example of the tragic tale IV , 5 Lisabetta Messina transmits personal sensitivity and illustrators some guidelines : the mood of Jose Narro (born in 1902 ) , the sensuality of Eberhard Schlotter ( 1921-2014 ) or the pointed eroticism of Celedonio Perellón ( 1926 )