Publication: La inspiración que no cesa: Román Alís Flores : caminos de un compositor
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2016-04-13
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Universidad Complutense de Madrid
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Abstract
El objeto de esta tesis doctoral es el estudio descriptivo y analítico de la vida y la obra del compositor mallorquín Román Alís Flores (1931-2006) que, si bien durante su vida gozó de un cierto reconocimiento y valoración de su música, así como del aplauso del público, a raíz de su fallecimiento en el 2006, ha caído en un casi total olvido. Esta tesis intenta reparar la gran injusticia que supone la ausencia de su obra en los atriles de las orquestas actuales. Varios son los objetivos que me han impulsado a realizar esta tesis doctoral: llevar al conocimiento general su interesante vida cuyas circunstancias, principalmente económicas, le llevarán a recorrer gran parte de la geografía nacional. Por otro, considerar la importancia de sus escritos, conferencias, comentarios y, algo inédito hasta esta ocasión, su faceta de autor de poesía. Asimismo, revisar sus muy diversas entrevistas y críticas en prensa, realizar el definitivo catálogo de sus obras (existen dos catálogos más pero incompletos) y, sobre todo, dejar un testimonio escrito de toda su vida y su música, con el fin de que sirva de referencia para los futuros investigadores interesados en este tema. La metodología empleada que me ha permitido terminar este trabajo se ha basado en dos puntos fundamentales: las entrevistas que durante los últimos cuatro años de su vida me concedió el compositor y los variados archivos y bibliotecas que muy amablemente pusieron a mi disposición las diferentes entidades que irán surgiendo en esta tesis (archivo personal de Román Alís, SGAE, Fundación Juan March, ONE, RTVE, Orquesta Bética de Sevilla, Orquesta Filarmónica de Sevilla, Biblioteca Nacional, diferentes conservatorios…). También destaco la gran aportación bibliográfica que supuso esto para mí y la facilidad y bondades que siempre me dispensaron en la Biblioteca de la Facultad de Geografía e Historia de la UCM y el caudal de fuentes vinculadas con el mundo de la música que poseen en sus fondos...
The aim of this doctoral thesis is to perform a descriptive analytical study about Majorcan composer Roman Alís Flores’ life (1931-2006) and work; a figure that, although had gained some recognition and respect as well as the audience’s applause thanks to his music, has been almost forgotten due to his death in 2006. To this extent, this thesis attempts to redress the great injustice that his work’s absence implies in current orchestras’ music stands. My decision to make this doctoral thesis was motivated by several goals. On the one hand, I focus the present dissertation on leading to public knowledge his interesting life whose different circumstances, mainly economic activities, will lead him to travel around almost the national territory. Other aims are to consider the relevance of his writings, lectures, comments, and something unpublished until this time: his role as a poet; to check his many diverse interviews, and press reviews; to carry out the final catalogue of his works (there are two more but incomplete catalogues), and most of all to leave a written testimony about his entire life, and his music in order to provide a reference to future researchers interested in this issue. The methodology used to accomplish and finish the work has been based on two basic points: the interviews the composer granted me over the last four years of his life, and the assorted files and libraries that several entities, which will emerge in this thesis (personal archive of Román Alís, SGAE, Fundación Juan March, ONE, RTVE, Orquesta Bética de Sevilla, Orquesta Filarmónica de Sevilla, Biblioteca Nacional, different conservatories…), put very kindly at my disposal. I also emphasize what this great bibliographic contribution meant to me and the easiness and kindness the Library of the Geography and History Faculty of Universidad Complutense de Madrid always provided me, just as the abundance of many sources related to the music world they have in their collection...
The aim of this doctoral thesis is to perform a descriptive analytical study about Majorcan composer Roman Alís Flores’ life (1931-2006) and work; a figure that, although had gained some recognition and respect as well as the audience’s applause thanks to his music, has been almost forgotten due to his death in 2006. To this extent, this thesis attempts to redress the great injustice that his work’s absence implies in current orchestras’ music stands. My decision to make this doctoral thesis was motivated by several goals. On the one hand, I focus the present dissertation on leading to public knowledge his interesting life whose different circumstances, mainly economic activities, will lead him to travel around almost the national territory. Other aims are to consider the relevance of his writings, lectures, comments, and something unpublished until this time: his role as a poet; to check his many diverse interviews, and press reviews; to carry out the final catalogue of his works (there are two more but incomplete catalogues), and most of all to leave a written testimony about his entire life, and his music in order to provide a reference to future researchers interested in this issue. The methodology used to accomplish and finish the work has been based on two basic points: the interviews the composer granted me over the last four years of his life, and the assorted files and libraries that several entities, which will emerge in this thesis (personal archive of Román Alís, SGAE, Fundación Juan March, ONE, RTVE, Orquesta Bética de Sevilla, Orquesta Filarmónica de Sevilla, Biblioteca Nacional, different conservatories…), put very kindly at my disposal. I also emphasize what this great bibliographic contribution meant to me and the easiness and kindness the Library of the Geography and History Faculty of Universidad Complutense de Madrid always provided me, just as the abundance of many sources related to the music world they have in their collection...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Geografía e Historia, Departamento de Musicología, leída el 14-01-2016