Publication: La escultura, el medio, su entorno y su fin
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2016-08-30
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Universidad Complutense de Madrid
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Abstract
La primera parte de esta tesis se dedicó sobre todo a los aspectos relacionados con el concepto de la escultura. En la introducción y en los cuatro primeros capítulos se plantean los fundamentos que tratan los aspectos más personales tanto en la poética en que se encuadra el quehacer escultórico, como las aspiraciones éticas, estéticas y técnicas del trabajo. Para ello se ha realizado un análisis y reflexión sobre los tres artistas que mayor relevancia y peso han tenido y tienen sobre el realismo y la figuración española: Francisco López, Julio López y Antonio López. El Medio ( el Taller), es un recorrido por los espacios y las técnicas, los procesos y los materiales en los que se mueven los artistas en general a través de la historia, y en particular de los creadores que son materia de nuestro estudio. En el capítulo, El Entorno hacemos un breve recorrido por la historia del taller del artesano al taller del escultor en base al aprendizaje, y su evolución hasta la formación en las escuelas y sus procesos. Desde el plano personal hacemos una breve indagación sobre la influencia de las vivencias en la sensibilidad y las emociones en relación con la creación artística...
The first part of this thesis is almost entirely dedicated to aspects related with the concept of sculpting. The grounds are laid out in the Introduction and the first four chapters that cover the most personal aspects, both in the poetical sense in which the act of sculpting is framed, as well as the ethical, esthetic and technical aspirations of sculpting itself. To do so, an analysis and reflection have been carried out on the three artists that have and had in the past the most relevance and importance regarding Spanish realism and figuration: Francisco López, Julio López and Antonio López. El Medio (el Taller) [the environment (the workshop)], is a journey through the spaces and techniques, the processes and the material in which the artists move, in general, throughout history, and specifically, of the creators- the subjects of our study. In the chapter entitled El Entorno [the surroundings], we make a short journey through the history of the artisan’s workshop to the sculptor’s workshop based on learning, and their evolution up to the moment of training in formal schools and the processes involved. From the personal arena, we make a brief investigation on the influence of the life experiences regarding the sensitivity of the emotions related with artistic creation...
The first part of this thesis is almost entirely dedicated to aspects related with the concept of sculpting. The grounds are laid out in the Introduction and the first four chapters that cover the most personal aspects, both in the poetical sense in which the act of sculpting is framed, as well as the ethical, esthetic and technical aspirations of sculpting itself. To do so, an analysis and reflection have been carried out on the three artists that have and had in the past the most relevance and importance regarding Spanish realism and figuration: Francisco López, Julio López and Antonio López. El Medio (el Taller) [the environment (the workshop)], is a journey through the spaces and techniques, the processes and the material in which the artists move, in general, throughout history, and specifically, of the creators- the subjects of our study. In the chapter entitled El Entorno [the surroundings], we make a short journey through the history of the artisan’s workshop to the sculptor’s workshop based on learning, and their evolution up to the moment of training in formal schools and the processes involved. From the personal arena, we make a brief investigation on the influence of the life experiences regarding the sensitivity of the emotions related with artistic creation...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Bellas Artes, leída el 14 de diciembre de 2015 ; presidente, Pablo de Arriba del Amo