Publication: Rasgos significativos de la oralidad en la narrativa breve hispanoamericana: Juan Rulfo
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2016-10-25
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Universidad Complutense de Madrid
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Abstract
El presente trabajo se inscribe dentro de un amplio campo de estudio dedicado al análisis de la oralidad fingida en la literatura y su principal objetivo es ofrecer una nueva perspectiva posible acerca del estudio de las técnicas narrativas utilizadas en la redacción de los cuentos del volumen de Juan Rulfo El Llano en llamas. La propuesta central intentará mostrar que la oralidad del lenguaje empleado en los relatos no reside exclusivamente en el uso de las múltiples estrategias que permiten trasladar elementos del habla al medio escrito, sino que es de carácter más universal. Mediante el análisis detallado de los relatos que considero más significativos se buscará la evocación de la sonoridad a través de las imágenes visuales y auditivas presentes en los textos, lo que permitiría al lector recrear en su imaginación las voces de los personajes y de los narradores. Cabe subrayar que esta propuesta de análisis no intenta limitarse exclusivamente a los cuentos de Juan Rulfo, sino que constituye un posible modelo aplicable a otros textos narrativos. Es difícil por su complejidad y, en cierta medida, un objetivo utópico el intento de abordar la revisión de toda la bibliografía existente relacionada con la oralidad y la escritura, razón por la cual en este estudio se propondrá una selección de los trabajos más significativos y, sobre todo, los más representativos para el asunto de esta tesis...
This thesis is part of a broader field of study devoted to the analysis of mock orality in literature and its main objective is to offer a possible new perspective on the study of the narrative techniques used in writing the stories from The Burning Plain volume by Juan Rulfo. The central proposal will attempt to show that the orality of the language used in the stories not only lies with the use of multiple strategies to translate elements of speech to written form, but that it is more universal in nature. Through a detailed analysis of the stories considered to be the most significant, the evocation of sound will be sought through the visual and auditory images present in the texts that allow the reader to recreate the voices of the characters and narrators in their imagination. It should be emphasised that this proposal does not attempt to limit the analysis to Juan Rulfo's stories, rather it is a possible model that can be applied to other narrative texts. The theoretical section of this thesis draws from an idea that the classic distinction between primary and secondary orality according to Ong does not adapt to the reality of the twenty-first century, which is defined by advanced technologies that convey information instantly...
This thesis is part of a broader field of study devoted to the analysis of mock orality in literature and its main objective is to offer a possible new perspective on the study of the narrative techniques used in writing the stories from The Burning Plain volume by Juan Rulfo. The central proposal will attempt to show that the orality of the language used in the stories not only lies with the use of multiple strategies to translate elements of speech to written form, but that it is more universal in nature. Through a detailed analysis of the stories considered to be the most significant, the evocation of sound will be sought through the visual and auditory images present in the texts that allow the reader to recreate the voices of the characters and narrators in their imagination. It should be emphasised that this proposal does not attempt to limit the analysis to Juan Rulfo's stories, rather it is a possible model that can be applied to other narrative texts. The theoretical section of this thesis draws from an idea that the classic distinction between primary and secondary orality according to Ong does not adapt to the reality of the twenty-first century, which is defined by advanced technologies that convey information instantly...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Filología, Departamento de Filología Española IV (Bibliografía Española y Literatura Hispanoamericana), leída el 16/12/2015