Publication: Poética homo: propuesta metodológica para el análisis de la sexo-diversidad, con un enfoque en el género masculino, en el teatro. Teatro mexicano s. XX
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2016-10-27
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Universidad Complutense de Madrid
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Abstract
El trabajo que aquí se presenta surge de una doble inquietud. Por una parte establecer el análisis de las obras de teatro, a partir de entender estas como un producto artístico en cuanto a material literario y hecho escénico se refiere, y por otra la necesidad, no de definir la homosexualidad, sino el entender cuáles han sido los recursos dramáticos a través de los que se ha manifestado la tematización de la diversidad sexual masculina, y cómo han sido empleados en el fenómeno teatral. Los trabajos de investigación y crítica que han sido elaborados sobre el tema homosexual se han llevado a cabo, principalmente, en disciplinas como la psicología y la antropología. En el ámbito de las letras dichos estudios se han centrado tan solo en dos de los géneros literarios: la poesía y la narrativa; haciendo a un lado al otro gran género que es el teatro. Son pocos los estudios que se han realizado en torno al teatro homosexual, por tanto el tesista se atreve a afirmar que dicho terreno de investigación se encuentra despoblado. Para entender la homosexualidad dentro del teatro, es necesario acercarnos a la historia natural de la misma, es decir al recorrido sintagmático que ha presentado en la historia del hombre, de manera que se puedan comprender y comparar así las manifestaciones paradigmáticas que han surgido en la historia del teatro...
The work that is presented arises from a double concern. In one hand, to be able to establish the analysis s of the theater plays, from the understanding of this as an artistic product related to literary material and scenic facts, and in the other hand the necessity, not to define homosexuality as such, but to understand which have been the dramatic resources through which the theme has shown about the male sexual diversity, and how has used in the theatre phenomenon. The research work and criticism that has been done about the topic of homosexuality have been carried out mainly, in areas such as psychology and anthropology. In the field of letters those studies have focused basically in two literary genres, poetry and narrative writing, leaving apart one of the greatest genres that is the theatre. There are few studies that have been conducted around homosexual theatre; therefore the author of this work dares to say that this field of research is depopulated. To understand homosexuality in theatre is necessary approach to natural history of itself, the journey through men kind history, in order to be able to comprehend and compare the paradigmatic manifestations that have been emerged in the history of theatre...
The work that is presented arises from a double concern. In one hand, to be able to establish the analysis s of the theater plays, from the understanding of this as an artistic product related to literary material and scenic facts, and in the other hand the necessity, not to define homosexuality as such, but to understand which have been the dramatic resources through which the theme has shown about the male sexual diversity, and how has used in the theatre phenomenon. The research work and criticism that has been done about the topic of homosexuality have been carried out mainly, in areas such as psychology and anthropology. In the field of letters those studies have focused basically in two literary genres, poetry and narrative writing, leaving apart one of the greatest genres that is the theatre. There are few studies that have been conducted around homosexual theatre; therefore the author of this work dares to say that this field of research is depopulated. To understand homosexuality in theatre is necessary approach to natural history of itself, the journey through men kind history, in order to be able to comprehend and compare the paradigmatic manifestations that have been emerged in the history of theatre...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Filología, Departamento de Filología Española II (Literatura Española), leída el 20/01/2016