Publication: Relaciones formales entre el cómic japonés contemporáneo y su adaptación audiovisual animada
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2017-03-09
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Universidad Complutense de Madrid
Abstract
Cada año decenas de cómics japoneses, conocidos como manga, se convierten en series de televisión o largometrajes anime. Se han publicado numerosos análisis a sus historias, autores consagrados, temas frecuentes y aspectos sociológicos. Sin embargo la relación que se establece entre los elementos formales de ambos medios aún no ha sido objeto de ningún estudio. Hemos seleccionado una treintena de títulos manga y sus correspondientes adaptaciones audiovisuales animadas, desde 1984 hasta 2013. A través de estos treinta años analizaremos la evolución de lo que Genette denomina discurso, la representación formal de una misma historia en el cómic y la animación japonesas. Para ello hemos seleccionado algunas obras que han sido adaptadas en varias ocasiones a lo largo de este período. Manga y anime son industrias culturales directamente relacionadas a través de la adaptación. Para observar la sinergia sintáctica entre ellas nos centraremos en la “adaptación por celebración”. Esto implica que los fragmentos que analizamos de manga y anime comparten una misma historia, permitiéndonos así centrarnos en estudiar sus diferencias formales. Hemos dividido el análisis comparativo en varios puntos: representación del espacio, temporalidad, recreación del movimiento, montaje y cohesión narrativa, narrador, verbalidad, metáforas visualizadas y onomatopeyas. A través de las teorías Jacques Aumont, Gérard Genette, David Bordwell, Míjail Bajtín, Gilles Deleuze, Román Gubern, Scott McCloud, André Gaudreault y François Jost, entre otros, examinaremos cada uno de estos aspectos, relacionando la construcción en el manga con su presencia, o ausencia, en el anime...
Every year dozens of Japanese comics, known as manga, are adapted to TV series and films. Although relations between the story they tell have been studied in previous publications, this paper analyses the influence of the formal elements of the manga have about anime. The corpus of this study consists of about 30 manga titles and their television/film adaptations, from 1984 to 2013. Throughout these thirty years we’ll examine the evolution that is in the representation of the language of comics and animation. We have selected a few works that have been adapted several times to film feature and television to specifically check this state. Both manga and anime are cultural industries directly related through adaptation. To observe the relationship between them means we will focus on what Letich called "adaptation by celebration." This implies that manga and anime share a common tale, allowing us to study the formal differences between them. We’ve divided our comparative analysis in six aspects: depiction of space, temporality, creation movement, editing and narrative cohesion, narrator and narrative perspective, verbality, visual metaphor and onomatopoeia. Through the theories of authors such as Jacques Aumont, Gérard Genette, David Bordwell, Míjail Bajtín, Gilles Deleuze, Román Gubern, Scott McCloud, André Gaudreault o François Jost we’ll discuss each one of these aspects, relating how are built in manga and their presence or absence in anime...
Every year dozens of Japanese comics, known as manga, are adapted to TV series and films. Although relations between the story they tell have been studied in previous publications, this paper analyses the influence of the formal elements of the manga have about anime. The corpus of this study consists of about 30 manga titles and their television/film adaptations, from 1984 to 2013. Throughout these thirty years we’ll examine the evolution that is in the representation of the language of comics and animation. We have selected a few works that have been adapted several times to film feature and television to specifically check this state. Both manga and anime are cultural industries directly related through adaptation. To observe the relationship between them means we will focus on what Letich called "adaptation by celebration." This implies that manga and anime share a common tale, allowing us to study the formal differences between them. We’ve divided our comparative analysis in six aspects: depiction of space, temporality, creation movement, editing and narrative cohesion, narrator and narrative perspective, verbality, visual metaphor and onomatopoeia. Through the theories of authors such as Jacques Aumont, Gérard Genette, David Bordwell, Míjail Bajtín, Gilles Deleuze, Román Gubern, Scott McCloud, André Gaudreault o François Jost we’ll discuss each one of these aspects, relating how are built in manga and their presence or absence in anime...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, Departamento de Comunicación Audiovisual y Publicidad II, leída el 17-12-2015