Publication: El dibujo animado en España hasta 1975: los estudios Macián y proyectos cinematográficos de Francisco Macián
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2017-03-30
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Universidad Complutense de Madrid
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Abstract
El objeto de este estudio es Francisco Macián (1929-1976) y sus proyectos cinematográficos en los Estudios Macián y los que desarrolló a posteriori. En primer lugar contextualizamos el estudio con la historia del dibujo animado en España, desde sus orígenes hasta los años 70. Explicamos el proceso tradicional de la realización de dibujos animados y a continuación hablamos sobre todas las producciones de dibujos animados realizadas en España divididos en diferentes secciones: Cortometrajes, Series, Publicidad, Documentales, Títulos de Crédito, Cabeceras de TVE y finalmente Largometrajes, de modo que se pueda apreciar en que campos hubo más producción y en cual hubo más dificultades. Hemos incorporado nuevos títulos que no estaban incluidos en ninguna bibliografía sobre el tema. A continuación hablamos sobre la filmografía y proyectos de Francisco Macián desde el principio, los Estudios Macián, fundados por Francisco Macián y Jaime Papasseit en 1955. Hemos hablado con algunos de los artistas que colaboraron con Francisco Macián, y hemos visitado los lugares donde podíamos encontrar algunas pistas sobre su filmografía. La mayor fuente de ingresos de los estudios era la publicidad. Hemos encontrado algunos de los anuncios en los almacenes de Movierecord en Madrid, pero solo hasta 1961. El problema es que en 1962, Movierecord abrió una sucursal en Barcelona, y loa publicidad de los Estudios Macián empezó a almacenarse allí, y cuando cerró, todo desapareció. También realizaron algunos títulos de crédito y hay otros proyectos de los que hablamos, algunos de los cuales nunca fueron finalizados, como la serie “Keystone Kops” o las películas “Plip” o “Laurel & Hardy encuentran a Rapunzel”, etc…
The subject of this study is Francisco Macián (1929-1976) and his cinematographic projects in Macián studios and the ones he developed a posteriori. Firstly we contextualize this study with animated cartoons history in Spain, from the origins to the 70́s. We explain the animated cartoons traditional process and then we talk about all the animated cartoons production in Spain divided in different sections: Short Films, Series, Advertising, Documentaries, Credit Titles, TV programs Openings and finally Films, so we can appreciate much better in which fields there was more production and in which field there were more difficulties. We have provided new titles that were not included into any bibliography about this subject. Then we talk about Francisco Macián filmography and projects from the beginning, the Macián studios, founded by Francisco Macián and Jaime Papasseit in Barcelona in 1955. We talked with some of the artists working for Francisco Macián, and visit the places where we could find some clues about the filmography. The main source of income for the studios was advertising. We found some of them at Movierecord warehouse in Madrid, but only until 1961. The problem is that after 1962, Movierecord opened a branch in Barcelona, and Estudios Macián advertisings started to be saved there, and as it closed down, it all disappeared...
The subject of this study is Francisco Macián (1929-1976) and his cinematographic projects in Macián studios and the ones he developed a posteriori. Firstly we contextualize this study with animated cartoons history in Spain, from the origins to the 70́s. We explain the animated cartoons traditional process and then we talk about all the animated cartoons production in Spain divided in different sections: Short Films, Series, Advertising, Documentaries, Credit Titles, TV programs Openings and finally Films, so we can appreciate much better in which fields there was more production and in which field there were more difficulties. We have provided new titles that were not included into any bibliography about this subject. Then we talk about Francisco Macián filmography and projects from the beginning, the Macián studios, founded by Francisco Macián and Jaime Papasseit in Barcelona in 1955. We talked with some of the artists working for Francisco Macián, and visit the places where we could find some clues about the filmography. The main source of income for the studios was advertising. We found some of them at Movierecord warehouse in Madrid, but only until 1961. The problem is that after 1962, Movierecord opened a branch in Barcelona, and Estudios Macián advertisings started to be saved there, and as it closed down, it all disappeared...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, leída el 09-02-2016