Publication: Los humoristas y la caricatura nueva. Metamorfosis locales de un arte global: Madrid 1898-1936
Loading...
Official URL
Full text at PDC
Publication Date
2017-05-10
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Complutense de Madrid
Citations
Exportar
Abstract
La hipótesis central de esta tesis es la existencia de un proceso de renovación formal del arte de la caricatura en las publicaciones periódicas de la ciudad de Madrid en el periodo comprendido entre 1898 y 1936. Defendemos que dicha renovación fue sólo posible en virtud de la irrupción en la capital de un grupo de dibujantes cuya actuación en el arco cronológico propuesto posibilita su clasificación como “generación” y su caracterización como “innovador” por su atención a los nuevos desarrollos del arte de su tiempo tanto a nivel nacional como internacional. Así, el desglose de los objetivos primarios de esta investigación adquiere la siguiente estructura en relación con el ámbito geográfico y cronológico propuesto, esto es, la ciudad de Madrid entre 1898 y 1936: 1. Dar cuenta de los factores determinantes del relevo generacional en el arte de la caricatura. 2. Explorar las dimensiones ajenas al arte de la caricatura que afectaron a su desarrollo en nuestro periodo de referencia: estado de la prensa madrileña, estado de la crítica de arte especializada en el arte de la caricatura y estado de los mecanismos de exhibición artística. 3. Analizar los mecanismos de socialización y asociación de la generación de Los Humoristas. 4. Analizar los parámetros de la renovación formal del arte de la caricatura en desde tres perspectivas diferentes: la caricatura personal, la caricatura cómica y la caricatura política y social...
The central hypothesis of this thesis is the existence of a process of aesthetic renewal of the art of caricature in the city of Madrid between 1898 and 1936. It is argued that this renewal was only possible due to the emergence of a group of Madrid based caricaturists, whose classification as a “generation” and characterisation as “innovative” is due to the attention they paid to Modernism both nationally and internationally. Thus, in relation to the proposed context, the primary objectives of this research take the following structure: 1. To account for the factors that determined a generational change in the art of caricature. 2. To analyse the external factors that affected the development of the art of caricature in the period of reference: the evolution of the press industry in Madrid, the state of art criticism with a focus on those art critics specialised in the field of caricature and the mechanisms of artistic display. 3. To explore the mechanisms of socialisation and association used by The Humourists generation. 4. To explore the parameters that characterise the renewal of the art of caricature from three different perspectives: personal caricature, comic cartoon and political and social caricature...
The central hypothesis of this thesis is the existence of a process of aesthetic renewal of the art of caricature in the city of Madrid between 1898 and 1936. It is argued that this renewal was only possible due to the emergence of a group of Madrid based caricaturists, whose classification as a “generation” and characterisation as “innovative” is due to the attention they paid to Modernism both nationally and internationally. Thus, in relation to the proposed context, the primary objectives of this research take the following structure: 1. To account for the factors that determined a generational change in the art of caricature. 2. To analyse the external factors that affected the development of the art of caricature in the period of reference: the evolution of the press industry in Madrid, the state of art criticism with a focus on those art critics specialised in the field of caricature and the mechanisms of artistic display. 3. To explore the mechanisms of socialisation and association used by The Humourists generation. 4. To explore the parameters that characterise the renewal of the art of caricature from three different perspectives: personal caricature, comic cartoon and political and social caricature...
Description
Tesis inédita de la Universidad Complutense de Madrid, Facultad de Geografía e Historia, Departamento de Historia del Arte III (Contemporáneo), leída el 26-09-2016