Publication: Acción surrealista y medios de intervención.
El surrealismo en las revistas, 1930 – 1939
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Publication Date
2013
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Universidad Complutense de Madrid. Historia del Arte I, II y III
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Abstract
Sobre la base de un estudio previo, El surrealismo en las revistas 1919 – 1929, pero de forma autónoma, se aborda a continuación la segunda década surrealista, revisitada siempre al hilo de las revistas que aglutinaron al movimiento. Tras analizar desde Un cadavre la dimensión de la crisis del grupo hacia el cambio de década, asistimos a la adaptación del surrealismo a las extremas condiciones políticas de los años 30 con su revista El surrealismo al servicio de la Revolución. Pero también, y al mismo tiempo, al momento de su máxima difusión y aceptación, particularmente a través del arte. La revista Minotaure será la principal manifestación de este proceso, aunque también son tenidas aquí en cuenta otras cabeceras.
Following on from the previous study, Surrealism in Magazines 1919 – 1929, the second Surrealist decade is now focussed on – at all times with regard to the magazines that united together around the movement. After analysing in Un cadavre the effects of the crisis of 1929, we witness Surrealism’s adaptation to the extreme political panorama of the 1930’s with the magazine Surrealism in the service of the revolution. At the same time, moreover, it is the period of Surrealism’s most widespread dissemination and popularity, in particular through its art. Minotaure would be the foremost expression of this process, though the study takes into account other publications too.
Following on from the previous study, Surrealism in Magazines 1919 – 1929, the second Surrealist decade is now focussed on – at all times with regard to the magazines that united together around the movement. After analysing in Un cadavre the effects of the crisis of 1929, we witness Surrealism’s adaptation to the extreme political panorama of the 1930’s with the magazine Surrealism in the service of the revolution. At the same time, moreover, it is the period of Surrealism’s most widespread dissemination and popularity, in particular through its art. Minotaure would be the foremost expression of this process, though the study takes into account other publications too.