Publication: El secreto de sus ojos: del clásico al postclásico. Análisis desde la Teoría del Relato
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2018-05-28
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Universidad Complutense de Madrid
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Abstract
El secreto de sus ojos: Del clásico al postclásico. Análisis desde la Teoría del Relato propone un estudio de la estructura narrativa del filme El secreto de sus ojos, desde las nociones de la Teoría del Texto y de su derivado la Teoría del Relato. Emplea, además, la metodología del análisis textual para un estricto deletreamiento de la obra. Estas teorías y metodologías son desarrolladas por el profesor español, Jesús González Requena. El filme argentino, El secreto de sus ojos de Juan José Campanella es la adaptación cinematográfica de la novela La pregunta de sus ojos (2005), de Eduardo Sacheri, quien también participa en la escritura del guion junto al director. Se estrena en el 2009 e inmediatamente capta la atención de los espectadores que acuden masivamente a las salas de cine. Se convierte en una de las cintas más vista en Argentina, y, la segunda del país en ganar un Óscar a mejor película extranjera de habla no inglesa en el año 2010. Recibe múltiples nominaciones (56) a distintos premios cinematográficos en América y Europa. Entre los que se encuentra un premio Goya a mejor película iberoamericana. La buena recepción del filme, el interés del público general y especializado denotan que se trata de un relato fuerte, capaz de procurar sentido para la construcción de la subjetividad del espectador. En consecuencia, el filme ofrece una intensa experiencia emocional que, según se desprende de este estudio, es resultado directo de su condición esencial de relato simbólico...
The Secret in Their Eyes: From classical to postclassical. Analysis from the Theory of the Story proposes a study of the narrative structure of the film The Secret in Their Eyes, from the notions of the Theory of the Text and its derivative Theory of the Story. It also uses the methodology of textual analysis for a strict spelling of the work. These theories and methodologies are developed by the Spanish professor, Jesús González Requena. The Argentine film, The Secret in Their Eyes (El secreto de sus ojos) by Juan José Campanella is the cinematographic adaptation of the novel La pregunta de sus ojos (The Question in Their Eyes 2005), by Eduardo Sacheri, who also participates in writing the screenplay with the director. It premieres in 2009 and immediately captures the attention of viewers who flock to theaters, making it one of the most watched films in Argentina and the second of the country to win an Oscar for best foreign language film in 2010. The film receives multiple nominations (56) to various cinema awards in America and Europe. Among them is a Goya award for best Ibero-American film. The good reception of the film among both the general public and specialized critics denotes that it is a strong story, capable of making sense for the construction of the subjectivity of the viewer. Consequently, the film offers an intense emotional experience that, according to this study, is a direct consequence of its essential condition of symbolic storytelling...
The Secret in Their Eyes: From classical to postclassical. Analysis from the Theory of the Story proposes a study of the narrative structure of the film The Secret in Their Eyes, from the notions of the Theory of the Text and its derivative Theory of the Story. It also uses the methodology of textual analysis for a strict spelling of the work. These theories and methodologies are developed by the Spanish professor, Jesús González Requena. The Argentine film, The Secret in Their Eyes (El secreto de sus ojos) by Juan José Campanella is the cinematographic adaptation of the novel La pregunta de sus ojos (The Question in Their Eyes 2005), by Eduardo Sacheri, who also participates in writing the screenplay with the director. It premieres in 2009 and immediately captures the attention of viewers who flock to theaters, making it one of the most watched films in Argentina and the second of the country to win an Oscar for best foreign language film in 2010. The film receives multiple nominations (56) to various cinema awards in America and Europe. Among them is a Goya award for best Ibero-American film. The good reception of the film among both the general public and specialized critics denotes that it is a strong story, capable of making sense for the construction of the subjectivity of the viewer. Consequently, the film offers an intense emotional experience that, according to this study, is a direct consequence of its essential condition of symbolic storytelling...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, Departamento de Comunicación Audiovisual y Publicidad II, leída el 05/09/2017