Publication: Métodos y materiales de limpieza alternativos al medio acuoso en tratamientos de conservación-restauración de materiales textiles
Loading...
Official URL
Full text at PDC
Publication Date
2018-08-08
Authors
Advisors (or tutors)
Chércoles, Ruth
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Complutense de Madrid
Citations
Exportar
Abstract
Desde los tiempos más remotos, la limpieza de tejidos ha sido una más de las tareas cotidianas en todas las culturas. Con la llegada de los tejidos a los museos, la limpieza se convirtió en uno de los principales tratamientos de conservación y restauración, no exento de controversia debido a su irreversibilidad y al uso de productos muy agresivos. Afortunadamente, los criterios actuales son mucho más respetuosos con los bienes a tratar, buscando un equilibrio entre la eficacia de la limpieza y la conservación del tejido.La limpieza acuosa es la más efectiva, sin embargo en algunos casos este tipo de limpieza no es posible, y la limpieza mecánica con aspiración no es suficiente. Por eso el objetivo principal de esta tesis es proponer una nueva metodología de limpieza mecánica basada en el uso de esponjas, estudiando su posible idoneidad como sistema alternativo a la limpieza en medio acuoso de tejidos históricos.El trabajo de esta investigación se ha desarrollado en dos partes, una primera que ha consistido en una amplia revisión bibliográfica sobre la materia, y una segunda parte fundamentada en una metodología experimental...
Since ancient times, the cleaning of textiles has been one of the daily tasks in all the cultures. When textiles first arrived in museums, cleaning became one of the main conservation treatments. The cleaning process was not free from controversy because it is an irreversible operation and also due to the use of abrasive products. Thankfully, current criteria are much more respectful of the pieces to be treated, seeking a balance between cleaning efficiency and textile preservation.Aqueous cleaning is the most effective, however in some cases this type of cleaning is not possible, and mechanical cleaning using a vacuum cleaner it is not enough. For this reason the main objective of this thesis is to propose a new methodology of mechanical cleaning based on the use of sponges, studying its possible suitability as an alternative system to aqueous cleaning of historical textiles.This research has been developed in two parts, the first one has been an extensive bibliographical review, and the second part based on an experimental methodology.The PhD dissertation begins with an Introduction Chapter (Chapter I), which discusses the background of sponge cleaning in the field of conservation, and the objectives of the thesis and the methodology followed are specified...
Since ancient times, the cleaning of textiles has been one of the daily tasks in all the cultures. When textiles first arrived in museums, cleaning became one of the main conservation treatments. The cleaning process was not free from controversy because it is an irreversible operation and also due to the use of abrasive products. Thankfully, current criteria are much more respectful of the pieces to be treated, seeking a balance between cleaning efficiency and textile preservation.Aqueous cleaning is the most effective, however in some cases this type of cleaning is not possible, and mechanical cleaning using a vacuum cleaner it is not enough. For this reason the main objective of this thesis is to propose a new methodology of mechanical cleaning based on the use of sponges, studying its possible suitability as an alternative system to aqueous cleaning of historical textiles.This research has been developed in two parts, the first one has been an extensive bibliographical review, and the second part based on an experimental methodology.The PhD dissertation begins with an Introduction Chapter (Chapter I), which discusses the background of sponge cleaning in the field of conservation, and the objectives of the thesis and the methodology followed are specified...
Description
Tesis inédita de la Universidad Complutense de Madrid, Facultad de Bellas Artes, leída el 23 de junio de 2017