Publication: Evolución y recepción del nuevo tango rioplatense:la influencia de Ástor Piazzolla y la vanguardia (1955-1990)
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2019-11-06
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Universidad Complutense de Madrid
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Abstract
El estudio de la vanguardia en el tango rioplatense se encuentra asociado a la trayectoria del compositor y bandoneonista Ástor Piazzolla. Su propuesta musical influyó de una u otra manera en muchos compositores que, al igual que él, desarrollaron su actividad en el terreno de la música popular, pero cuyas aspiraciones y objetivos musicales se orientaban hacia la composición académica -como paradigma de excelencia- y también, a la fusión con otros géneros.La propuesta musical de Piazzolla establece un nexo entre lo culto y lo popular, espacios de creación hasta entonces bien delimitados, y desdibuja esas fronteras. A la par de él, y bajo su influencia –o su rechazo-, hubo compositores que legaron un corpus de obras heterogéneo y poco estudiado en el campo de la musicología actual...
The study of the avant-garde in the River Plate tango is associated with the trajectory of the composer and bandoneonist Ástor Piazzolla. His musical proposal influenced one way or another in many composers who, like him, developed their activity in the field of popular music, but whose musical aspirations and objectives were oriented towards academic composition –as a paradigm of excellence- and also, to the fusion with other genres.The musical proposal of Piazzolla establishes a nexus between the cultured and the popular, spaces of creation until then well delimited, and it blurs those borders. Along with him, and under his influence –or his rejection-, there were composers who left a heterogeneous body of work and little studied in the field of current musicology...
The study of the avant-garde in the River Plate tango is associated with the trajectory of the composer and bandoneonist Ástor Piazzolla. His musical proposal influenced one way or another in many composers who, like him, developed their activity in the field of popular music, but whose musical aspirations and objectives were oriented towards academic composition –as a paradigm of excellence- and also, to the fusion with other genres.The musical proposal of Piazzolla establishes a nexus between the cultured and the popular, spaces of creation until then well delimited, and it blurs those borders. Along with him, and under his influence –or his rejection-, there were composers who left a heterogeneous body of work and little studied in the field of current musicology...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Geografía e Historia, Departamento de Musicología, leída el 21-10-2019