Publication: El arabesk y el lenguaje de los objetos en el arte contemporáneo turco desde 1980
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2019
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Abstract
Este Trabajo Fin de Máster trata de demostrar los resultados de la investigación sobre la subcultura turca y urbana “arabesk”, y su uso como temática en el arte contemporáneo turco desde el año 1980 a través de la representación de su cultura material. El trabajo se desarrolla como una investigación en artes, en lugar de sociológica; y tiene el objetivo de mostrar y analizar los efectos que tiene esta subcultura en los discursos de los artistas turcos y sus producciones artísticas elegidas. En particular, se indaga qué es el arabesk, qué similitudes tiene con el kitsch, qué relación tiene con la inmigración interna en Turquía, la conurbación, el consumo y la cultura global, y cómo afecta el estado de las mujeres en la sociedad turca. Estos son las preguntas que conforman los cuerpos de los capítulos, y están desarrolladas con el análisis de las propuestas artísticas y los objetos cotidianos definidos como arabesk.
Dentro del presente TFM, se apoya el discurso con producciones artísticas propias de la autora y algunas comparaciones con las obras anteriores a la fecha del inicio elegida.
This Final Masters Project treats to show the results of the research about “arabesk”, a Turkish and urban subculture, and its use as a theme in the Turkish contemporary art parting from 1980 through the representation of its material culture. The study is developed as an investigation in arts, rather than a sociological one; and has the objective to show and analize the effects that this subculture has in the discourses of the selected Turkish artists and their artistic productions. In particular, we inquire what is arabesk, what similarities does it have with the kitsch, what relations does it have with the internal inmigration in Turkey, the conurbation, the consumption and the global culture, and how does it affect the state of women in the Turkish society. These are the questions that conform the bodies of the chapters, and are developed through the analysis of the artistic propositions and daily life objects, which are defined as arabesk. Within the Final Masters Project, we support the discourse with the own artistic productions of the author and some comparisons with artworks previous to the selected initiating date.
This Final Masters Project treats to show the results of the research about “arabesk”, a Turkish and urban subculture, and its use as a theme in the Turkish contemporary art parting from 1980 through the representation of its material culture. The study is developed as an investigation in arts, rather than a sociological one; and has the objective to show and analize the effects that this subculture has in the discourses of the selected Turkish artists and their artistic productions. In particular, we inquire what is arabesk, what similarities does it have with the kitsch, what relations does it have with the internal inmigration in Turkey, the conurbation, the consumption and the global culture, and how does it affect the state of women in the Turkish society. These are the questions that conform the bodies of the chapters, and are developed through the analysis of the artistic propositions and daily life objects, which are defined as arabesk. Within the Final Masters Project, we support the discourse with the own artistic productions of the author and some comparisons with artworks previous to the selected initiating date.