Publication: Fernando Fernán Gómez, cómico por naturaleza
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2008-07
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Universidad Complutense de Madrid/ Departamento de Comunicación Audiovisual y Publicidad
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La importancia del legado de Fernando Fernán Gómez desborda el ámbito exclusivamente cinematográfico, constituyendo un importante patrimonio para la cultura española. Igualmente, su prolífica obra posibilita diferentes lecturas y múltiples interpretaciones del mismo. Estamos ante un librepensador, creador inquieto y polifacético hecho a sí mismo, que supo aprovechar las numerosas posibilidades que brinda la interpretación como lugar privilegiado para el aprendizaje y la reflexión. La actuación es su punto de partida desde el cual proyectar su inquietud intelectual hacia distintas manifestaciones creativas.
En su longeva actividad, prolongada prácticamente hasta el final de su vida, existe siempre un denominador común, principio y final, razón de ser de su experiencia profesional e indisoluble condición de su personalidad: la escenificación como profunda vocación.
The importance of Fernando Fernán Gómez's legacy goes beyond the exclusively cinematographic field, constituting an important heritage for Spanish culture. Likewise, his prolific work enables different readings and multiple interpretations of it. We are before a free thinker, a restless and multifaceted creator himself, who knew how to take advantage of the many possibilities offered by interpretation as a privileged place for learning and reflection. The performance is his starting point, from which to project his intellectual restlessness towards different creative manifestations. In his extensive professional activity there is always a common denominator, the raison d'être of his professional experience and the indissoluble condition of his personality: staging as a deep vocation
The importance of Fernando Fernán Gómez's legacy goes beyond the exclusively cinematographic field, constituting an important heritage for Spanish culture. Likewise, his prolific work enables different readings and multiple interpretations of it. We are before a free thinker, a restless and multifaceted creator himself, who knew how to take advantage of the many possibilities offered by interpretation as a privileged place for learning and reflection. The performance is his starting point, from which to project his intellectual restlessness towards different creative manifestations. In his extensive professional activity there is always a common denominator, the raison d'être of his professional experience and the indissoluble condition of his personality: staging as a deep vocation
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-Aguirre, Arantxa: HÉCUBA. Un sueño de pasión, Ed. Cátedra, Madrid, 2008
-Aristóteles: Poética, (traducción, introducción y notas de Salvador Mas), Biblioteca Nueva, D.L., Madrid, 2000.
-Brasó, Enrique: Conversaciones con Fernando Fernán Gómez, Ed. Espasa Calpe, Madrid, 2002.
-Fernán Gómez, Fernando:
El actor y los demás, Ed. Laia, Barcelona, 1987.
El viaje a ninguna parte. El tiempo amarillo. Ed. Península, Barcelona, 2006.
-Isbert, José: Mi vida artística. Memorias, su teatro, su cine, su época, Ed. Nausicaä/Filmoteca de Albacete, Murcia, 2009.
-VV.AA. “Entrevista a Fernando Fernán-Gómez”, Nickel Odeon, nº 9, 1997, pp. 40-97.
-VV.AA: Fernando Fernán Gómez. El hombre que quiso ser Jackie Cooper, Editores, Jesús Angulo y Francisco Llinás, Ed. Patronato Municipal de Cultura de San Sebastián, San Sebastián, 2003