Publication: Comunicación audiovisual, publicidad y relaciones públicas: conversión de la luz en sonido y sus futuras aplicaciones en los campos de la música, el arte y la astronomía
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2021-02-18
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Universidad Complutense de Madrid
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Abstract
Durante tiempo, ha habido una necesidad de vincular el color y la música, unificar conceptos procedentes de dimensiones diferentes entre sí como lo son la luz y el sonido. Artistas, músicos y escritores han puesto especial hincapié en unificar el mundo en el que intervienen los colores y sus tonalidades con los diferentes matices que existen en el sonido. Diversos intentos por establecer una fusión entre luz y sonido o incluso llegar a justificar y razonar dicho procedimiento a través del mundo del arte como finalidad creadora del sonido y para el contexto musical, en su proceso contrario, estímulos cromáticos de la luz como un papel determinante a la hora de considerar los matices en los procesos de interpretación, composición e instrumentación. El principal inconveniente ha sido siempre la cualidad subjetiva de esta condición, que ha producido tantos debates sobre aspectos inmateriales o “Qualias” como son los colores o la interpretación de la realidad. Esta definición primaria supuso un continuo desigual a la hora de entender la sinestesia de los colores y los sonidos...
For a time, it has been a necessity of joining color and music, uniting proceeding concepts from different dimensions among them as light and sound are. Artists, musicians, writers have put special efforts on unifying the world in which colors and its tonalities intervene with the different hues they exist in sound. Divers attempts for establishing a fusion between light and sound or even achieving to justify and reason that procedure through the world of art as a creator finality for sound and for the musical context, on its contrary process, light chromatic stimulus as a determinant function when it is to consider the hints on interpretation, composition and instrumentation processes. The main contra has ever been the subjective quality of this condition, it has produced so many debates about immaterial aspects or “Qualias” like colors are or reality’s interpretation. This primary definition supposed a continuous unequal when it comes the objective to understand the synesthesia between colors and sound. It existed the problematic that each artist’s interpretation facing this dilemma differed to the others’, ergo, never could it be talked about a convention it englobed all the concepts...
For a time, it has been a necessity of joining color and music, uniting proceeding concepts from different dimensions among them as light and sound are. Artists, musicians, writers have put special efforts on unifying the world in which colors and its tonalities intervene with the different hues they exist in sound. Divers attempts for establishing a fusion between light and sound or even achieving to justify and reason that procedure through the world of art as a creator finality for sound and for the musical context, on its contrary process, light chromatic stimulus as a determinant function when it is to consider the hints on interpretation, composition and instrumentation processes. The main contra has ever been the subjective quality of this condition, it has produced so many debates about immaterial aspects or “Qualias” like colors are or reality’s interpretation. This primary definition supposed a continuous unequal when it comes the objective to understand the synesthesia between colors and sound. It existed the problematic that each artist’s interpretation facing this dilemma differed to the others’, ergo, never could it be talked about a convention it englobed all the concepts...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, leída el 28-02-2020