Publication: El discurso sonoro en la filmografía de Ingmar Bergman: música, paisaje sonoro y tratamiento de la voz
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2021-06-03
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Universidad Complutense de Madrid
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Abstract
En esta investigación se concretan los usos del discurso musical, sonoro y tratamiento de la voz que desarrolló Ingmar Bergman a lo largo de su filmografía. Para ello hemos abordado un análisis individual exhaustivo de las cuarenta y dos películas, representativas a su vez de las siete fases que marcan la evolución del director. Hemos atendido a las categorías de discurso musical, sonoro y tratamiento de la voz con el fin de establecer un mapa comparativo que sirva de cimiento metodológico de todo nuestro estudio y, en cierto modo, constituya uno de los principales resultados que compartir con futuros investigadores.
Hemos definido varios conceptos abstractos recurrentes en la filmografía de Ingmar Bergman para articular este análisis integral. Esos conceptos, claves en el modelo que emplearemos para los análisis cinematográficos, integran inquietudes personales del director apoyadas sobre datos biográficos, referencias artísticas que influyeron en su arte (como los escritos de August Strindberg), elementos de reflexión psicológicos y filosóficos que le acompañaron a lo largo de su existencia, etc. Mediante esta división se pretende entender en qué medida esos elementos sonoros participan en la narración y en las bases poéticas presentes en cada película del director...
This investigation sets out to reveal the strategies behind the use of music, sounds and voices that Ingmar Bergman developed and evolved throughout his career as a cinematographer. For this purpose, a selection of fourty-two of his most representative movies, that also mark the seven stages of his evolution as a filmmaker, have been subjected to exhaustive individual analysis. We have been giving attention to the categories of musical discourse, sound and use of voice with the aim of creating a comparative map that serves as a methodical foundation for the whole study and, in a way, constitutes one of the primary results to be shared with future researchers. We have defined abstract concepts that recur throughout Ingmar Bergman’s filmography with the purpose of organising this comprehensive analysis. These concepts, which are key to the model used for the cinematographic analysis of this study, emerge from the director’s own, deeply personal turmoil/restlessness which itself is upheld by biographical events, artistic references that influenced his art (e.g. the writings of August Strindberg), and psychological and philosophical deliberations that accompanied him throughout his life. Dividing the acoustical plane into these categories allows us to understand the role that each category plays in the overall narration and the poetic makeup of each of Bergman’s movies...
This investigation sets out to reveal the strategies behind the use of music, sounds and voices that Ingmar Bergman developed and evolved throughout his career as a cinematographer. For this purpose, a selection of fourty-two of his most representative movies, that also mark the seven stages of his evolution as a filmmaker, have been subjected to exhaustive individual analysis. We have been giving attention to the categories of musical discourse, sound and use of voice with the aim of creating a comparative map that serves as a methodical foundation for the whole study and, in a way, constitutes one of the primary results to be shared with future researchers. We have defined abstract concepts that recur throughout Ingmar Bergman’s filmography with the purpose of organising this comprehensive analysis. These concepts, which are key to the model used for the cinematographic analysis of this study, emerge from the director’s own, deeply personal turmoil/restlessness which itself is upheld by biographical events, artistic references that influenced his art (e.g. the writings of August Strindberg), and psychological and philosophical deliberations that accompanied him throughout his life. Dividing the acoustical plane into these categories allows us to understand the role that each category plays in the overall narration and the poetic makeup of each of Bergman’s movies...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, leída el 24/02/2021