Publication: La música cuenta: el uso de la música en La biografía difusa de Sombra Castañeda (1980), Ritos de cabaret (1991) y El hombre del acordeón (2003) de Marcio Veloz Maggiolo
Loading...
Files
Official URL
Full text at PDC
Publication Date
2021-06-16
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Complutense de Madrid
Citations
Exportar
Abstract
La teoría literaria que se ha ocupado de estudiar la relación entre la literatura y la música habla de dos posturas principales acerca de cómo ha sido utilizada la música en los textos de ficción literaria: 1) haciendo referencia a canciones, obras o compositores, o 2) experimentando con el traslado o implantación de una forma musical determinada a la estructura del texto. Cuando se dice que las referencias a la música popular en el discurso literario del Caribe hispano ha permitido crear canales de comunicación e identificación entre un público lector más amplio y la ficción literaria se trata fundamentalmente del primer caso. Sin embargo, ha habido autores interesados en afectar sus textos a través del uso e imitación de una forma musical determinada...
The branch of literary theory that has been concerned with studying the relationship between literature and music speaks of two main approaches in which music has been used in texts of literary fiction: 1) references to songs, works or composers, or 2) experimentation with transferring or a specific musical form into the text’s structure. When it is said that references to popular music in the literary discourse of the Hispanic Caribbean have allowed the creation of communication and identification channels between a wider reading audience and literary fiction, it is essentially the first case. However, there have been authors interested in influencing their texts through the use and imitation of a particular musical form...
The branch of literary theory that has been concerned with studying the relationship between literature and music speaks of two main approaches in which music has been used in texts of literary fiction: 1) references to songs, works or composers, or 2) experimentation with transferring or a specific musical form into the text’s structure. When it is said that references to popular music in the literary discourse of the Hispanic Caribbean have allowed the creation of communication and identification channels between a wider reading audience and literary fiction, it is essentially the first case. However, there have been authors interested in influencing their texts through the use and imitation of a particular musical form...
Description
Tesis inédita de la Universidad Complutense de Madrid, Facultad de Filología, leída el 26-10-2020