Publication: Hucha de intenciones: objetos artísticos contemporáneos com materialización del doble vínculo
Loading...
Official URL
Full text at PDC
Publication Date
2021-09-15
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Citations
Exportar
Abstract
Nos proponemos crear un objeto paradójico como término fronterizo entre el diseño y el arte contemporáneos. Defendemos que en estos dos campos tan afines, la frontera conceptual y práctica se llega a concretar en objetos que ma- terializan el doble vínculo, una situación comunicativa que en la modernidad se estudiaba como un conflicto que debe evitarse y resolverse, pero que en la ac- tualidad se maneja como elemento creativo y expresivo. Además de crear nues- tro propio objeto de “doble vínculo”, al que denominamos hucha de intenciones, nos proponemos también clasificar y ordenar los tipos de objetos paradójicos que dibujan las intersecciones entre arte y diseño actuales, para hablar así sobre cómo sus dimensiones confluyen y divergen en los artefactos.
We are proposing to create a paradoxical object as a visible border between contemporary design and art. We defend that, in these two related fields, the conceptual and practical frontier is specified in objects that materialize the dou- ble bond, a communicative situation that in modernity was studied as a conflict that should be avoided and resolved, and is currently handled as an expressive and creative method. In addition to creating our own “double bind” object, which we call A moneybox of intentions, we also propose to classify and put in order the main types of paradoxical objects that draw the intersections between cu- rrent art and design, as a way to talk about how this dimensions converge and diverge in artifacts.
We are proposing to create a paradoxical object as a visible border between contemporary design and art. We defend that, in these two related fields, the conceptual and practical frontier is specified in objects that materialize the dou- ble bond, a communicative situation that in modernity was studied as a conflict that should be avoided and resolved, and is currently handled as an expressive and creative method. In addition to creating our own “double bind” object, which we call A moneybox of intentions, we also propose to classify and put in order the main types of paradoxical objects that draw the intersections between cu- rrent art and design, as a way to talk about how this dimensions converge and diverge in artifacts.