Publication: Pólis y <<leyes no escritas>> : claves iusfilosóficas de la tragedia Antígona de Sófocles
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2023-01-18
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Universidad Complutense de Madrid
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Abstract
Esta Memoria Doctoral se ocupa en la lectura ex opera ipsa de una de las creaciones más destacada de la literatura universal, que dramatiza los acontecimientos posteriores al fallido asalto de los siete contra Tebas que había teatralizado Esquilo y que, desde otro ángulo, también tratará Eurípides. La tragedia de Sófocles, la primera de las tres, con Edipo rey y Edipo en Colono, que dedicó al mito del funesto destino labdácida, es la que describe las desgracias finales de los hijos de Edipo y está centrada en el conflicto por la prohibición, dictada por Creonte, el nuevo rey de la ciudad y tío de los hermanos edípidas, del entierro del traidor y fratricida Polinices en paridad de honra con su hermano el rey Eteocles defensor de Tebas, que Antígona desobedece invocando las <<leyes inconmovibles de los dioses>> contra el decreto prohibitivo. La obra ha concitado un sinnúmero de estudios, comentarios y exégesis, al tiempo que ha inspirado una cantidad creciente de readaptaciones y recreaciones, en las que, partiendo de la dignificación iusnaturalista de la heroína debida a Aristóteles, por lo general, se ha idealizado su “nobleza femenina” para contraponerla al antipático despotismo de su antagonista dramático...
This Doctoral Memory is concerned with the ex opera ipsa reading of one of the most outstanding creations of world literature, which dramatizes the events after the failed assault of the seven against Thebes that Aeschylus had dramatized and that, from another angle, Euripides will also treat. The tragedy of Sophocles, the first of the three, with Oedipus the King and Oedipus in Colonus, which he dedicated to the myth of the fatal fate of Labdathae, is the one that describes the final misfortunes of the children of Oedipus and is centered on the conflict over the prohibition, dictated by Creon, the new king of the city and uncle of the Oedipid brothers, of the burial of the traitor and fratricide Polinices in parity of honor with his brother King Eteocles defender of Thebes, whom Antigone disobeys invoking the <<unshakable laws of the gods>> against the prohibitive decree. The work has attracted countless studies, commentaries and exegesis, while inspiring a growing number of readaptations and recreations, in which, based on Aristotle's iusnaturalist dignification of the heroine, her character of “Feminine nobility” has generally been idealized to counterpose it to the unsympathetic despotism of her dramatic antagonist...
This Doctoral Memory is concerned with the ex opera ipsa reading of one of the most outstanding creations of world literature, which dramatizes the events after the failed assault of the seven against Thebes that Aeschylus had dramatized and that, from another angle, Euripides will also treat. The tragedy of Sophocles, the first of the three, with Oedipus the King and Oedipus in Colonus, which he dedicated to the myth of the fatal fate of Labdathae, is the one that describes the final misfortunes of the children of Oedipus and is centered on the conflict over the prohibition, dictated by Creon, the new king of the city and uncle of the Oedipid brothers, of the burial of the traitor and fratricide Polinices in parity of honor with his brother King Eteocles defender of Thebes, whom Antigone disobeys invoking the <<unshakable laws of the gods>> against the prohibitive decree. The work has attracted countless studies, commentaries and exegesis, while inspiring a growing number of readaptations and recreations, in which, based on Aristotle's iusnaturalist dignification of the heroine, her character of “Feminine nobility” has generally been idealized to counterpose it to the unsympathetic despotism of her dramatic antagonist...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Filosofía, leída el 09-09-2022