Publication: The new EU Directive 2014/26 as a catalyst for film and digital content innovation in Europe
Loading...
Official URL
Full text at PDC
Publication Date
2015
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Inderscience Publishers
Citations
Exportar
Abstract
The present paper analyses various conditions of the digital content market, such as barriers to competition and bottlenecks to intellectual property (IP) rights generation and management, as well as the collective copyright management system. The paper will discuss the need to modernize Spanish IP law, improve the transparency of how “collecting societies” operate and liberalise processes for licensing and transferring IP to allow for new types of contracts. It will also explore how regulatory reform en route to a digital single market stands to give more freedom to copyright holders and producers, and how Directive 2014/26 is likely to affect music and other paid content-sectors such as film and video. It argue that these reforms will open new business opportunities in entertainment, as well as offer solid alternatives to piracy, which may help revitalise the digital content industry in Europe.
Description
Document paper publicado
Unesco subjects
Keywords
Citation
Allendesalazar, R y Vallina, R. (2005), “Collecting Societies: The Usual Suspects”
European Competition Law Annual 2005. The Interaction between Competition
Law and Intellectual Property Law, Hart Publishing, UK.
Corredoira, L., Sood, S. (2015), Meeting new Readers through a Digital Transition: Lessons from the Entertainment industry. El Profesional de la Información, 2015, marzo, v. 24, n. 2. eISSN: 1699-2407 It will be available at http://www.elprofesionaldelainformacion.com/contenidos.html
Barron, A. (2011),Graduated Response' à L’Anglaise: Online Copyright Infringement and the Digital Economy Act (U.K.) 2010, Journal of Media Law, 3(2), pp. 305-347. Available at SSRN: http://ssrn.com/abstract=1979495
Dans, E. (2014 March). It´s just a question of availability and price. IE Business School Blog, at www.medium.com .
Einhorn, M. A. (2002) “Intellectual Property and Antitrust: Music Performing
Rights in Broadcasting”, Columbia Journal for Law and the Arts.
European Commission (2005), Study on a Community Initiative on the Cross-
Border Collective Management of Copyright,
European Commission(2008), Monitoring of the 2005 Music Online
Recommendation, Brussels.
European Commission. (2013). Licences for Europe: fostering access and distribution of culture in the digital age. Press release: http://europa.eu/rapid/press-release_SPEECH-13-918_en.htm. Brussels: European Commission.
European Commission. (2012). On content in the Digital Single Market. Brussels, 18.12.2012: COM 2012, (789 final) .
Garcia Torres, E. E., & Al, e. (2013). Supervivencia del periodismo en la era postdigital. Madrid-Valencia: Ministerio Ciencia y Competitividad, Spanish Gov.
Gervais, D.J. (2001) Internationalization of intellectual property: New challenges from the very old and the very new, Fordham Intell. Prop. Media &Ent. LJ, 2001.
Guibault, L. Stef van Gompel (2010), Collective management in the European Union
Amsterdam 2010Chapter 5, Daniel Gervais (ed.), Alphen aan den Rijn: Kluwer Law International, 2010), Págs. 135-167. Available at UvA-DARE, the institutional repository of the University of Amsterdam (UvA)http://hdl.handle.net/11245/2.106092
Handke, C. y Towse, R. (2007), “Economics of Copyright Collecting
Societies”, International Review of Intellectual Property and Competition Law,
Vol. 38, No.8.
Hargreaves, I. (2011). “Hargreaves Review of Intellectual Property and Growth, or Digital Opportunity - A review of Intellectual Property and Grow”. London:
https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/32563/ipreview-finalreport.pdf.
J., Smedinghoff (1994). “The Software”. Legal Guide to MultimediaTechnology and entertainment convergent 2009: hot business and legal issues in Technotaiment (págs. 45-47). New York: Practising Law Institute.
Jenny, F. y Newman, P. G. (2005), “EC Competition Law Enforcement and
Collecting Societies for Music Rights: What are we aiming for?” European
Competition Law Annual 2005. The Interaction between Competition Law
and Intellectual Property Law, Hart Publishing, United Kingdom
Katz, A. (2005), “The Potential Demise of Another Natural Monopoly:
Rethinking the Collective Administration of Performing Rights”, Journal of
Competition Law and Economics, Vol. 1, No. 3.
Marín López, J. (2007). “Artículo 153”. Comentarios a la Ley de Propiedad Intelectual. Madrid: La Ley.
Minero, G (2012), “Análisis comparado de las soluciones normativa y jurisdiccionales para la lucha frente a la piratería en Internet en España y en los países de nuestro entorno”, Libertad de Expresión e información en Internet, Corredoira/Cotino Co-dirs, Madrid: Centro de Estudios Políticos y Constitucionales (págs. 215-228)
Ordóñez Solís, D. (2011). "Las descargas ilegales en Internet: el contexto jurídico europeo de la Ley Sinde", Revista Aranzadi Unión Europea, XXXVII, no. 11.
Ramón, F. (2012), “Derecho de cita, plagio e Internet”, Libertad de Expresión e información en Internet,Corredoira/Cotino Co-dirs, Madrid: Centro de Estudios Políticos y Constitucionales (págs. 233-258)
Picard, R., & De los Angeles, J. (2014). “Managing Creativity and Diversity”. IMMAA Conference. Pamplona: Available at: www.unav.es/IMMAA.
PriceWaterhouse Cooper (2013), “Outlook for the global sports market about incomes, media rights and sport internationalization”.Available here.
Sood, Sanjay; Corredoira, Loreto (2015)
The Impact of Digital Technologies on the Paid Content Market. The Netflix paradigm IESE Publishing, Technical Note, MN-384-E, March, 2015, http://www.iesep.com/en/catalogsearch/advanced/result/?area[]=133
TorrentFreak.com Most pirated movies in 2013, source: http://torrentfreak.com/the-hobbit-most-pirated-film-of-2013-131231
Villanueva, J. C. (2014). “Paid-content Distribution in the Entertainment Industry”. Los Angeles: UCLA Research Project.
Vinje, T., & Nllranen, O. (2005). “The Application of Competition Law to Collecting Societies". European Competition Law .
Waldfogel, D. a. (2012). “Reel Piracy: The effect of Online Film Piracy on International Box Office Sales”. Available at http://ssrn.com/abstract=1986299