Publication: Arte y Astronomía-Astrología de mediados del Quattrocento a Peruzzi y Rafael
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2016-07-21
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Biblioteca Histórica de la U.C.M.
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Abstract
Enlazando con el legado de la Antigüedad de Homero a Firmico Materno y el Planisferio Bianchini, se alude a Manilio clave en estas reflexiones sobre Astronomía-Astrología; asimismo quedan referenciadas las aportaciones y variantes medievales orientales y occidentales, hasta Pietro d’Abano en Padua. Tras unas apreciaciones respecto a Venecia como potencia editorial desde fines del siglo XV, y desde luego con referencia a Aldo Manuzio, son considerados varios ejemplos del Quattrocento, de Rimini a Florencia, con vértice en la corte de Ferrara, Borso d’Este, Cosmè Tura y la referencia expresa a Manilio en el Salone dei Mesi. El periplo concluye en Roma, con las contribuciones de Rafael y Peruzzi, en obras para los papas Julio II y León X, así como para el Magnífico Agostino Chigi.
Linking with the legacy of Antiquity from Homer to Firmicus Maternus and Planisferio Bianchini, up key Manilius in these reflections on Astronomy-Astrology; they are also referenced the contributions and Eastern and Western medieval variants, to Pietro d'Abano in Padova. After some considerations regarding Venice as publishing power from the late fifteenth century, and certainly with reference to Aldo Manuzio, are considered several examples of Quattrocento, Rimini to Florence, with vertex at the court of Ferrara, Borso d'Este, Cosmè Tura and the explicit reference to Manilius in the Salone dei Mesi. The tour concludes in Rome, with contributions from Raphael and Peruzzi, works for Julius II and Leo X potatoes, as well as the Magnificent Agostino Chigi.
Linking with the legacy of Antiquity from Homer to Firmicus Maternus and Planisferio Bianchini, up key Manilius in these reflections on Astronomy-Astrology; they are also referenced the contributions and Eastern and Western medieval variants, to Pietro d'Abano in Padova. After some considerations regarding Venice as publishing power from the late fifteenth century, and certainly with reference to Aldo Manuzio, are considered several examples of Quattrocento, Rimini to Florence, with vertex at the court of Ferrara, Borso d'Este, Cosmè Tura and the explicit reference to Manilius in the Salone dei Mesi. The tour concludes in Rome, with contributions from Raphael and Peruzzi, works for Julius II and Leo X potatoes, as well as the Magnificent Agostino Chigi.