Publication: Pintura mural de carácter religioso en la provincia de Ciudad Real. Siglos XIII al XVIII
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2016-09-01
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Universidad Complutense de Madrd
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Abstract
Históricamente se ha tenido a la provincia de Ciudad Real como mera espectadora de los cambios y transformaciones que, en todos los campos y durante todos los períodos históricos, se iban dando en el resto de España. Uno de esos campos a los que hacemos referencia es el artístico, más concretamente el que tiene como protagonista la obra pictórica mural realizada para edificios de carácter tanto público como privado. Mediante el presente trabajo quisiéramos contribuir, humildemente, a cambiar esta idea. El interés de las referidas manifestaciones murales que a lo largo y ancho del territorio provincial se localizan es, a nuestro juicio, evidente. El presente trabajo de tesis doctoral intenta fundamentar esta afirmación, para ello analizaremos una veintena de grupos pictóricos de evidente temática religiosa ejecutados sobre muro entre los siglos XIII al XVIII. Como en otros lugares de nuestra geografía nacional, la destrucción o abandono del patrimonio artístico es innegable Entendemos que esta afirmación queda patente recorriendo las localidades donde se ubica la obra objeto de nuestro estudio. Unas veces la ignorancia y, otras veces, los intereses económicos particulares, han supuesto la destrucción del patrimonio artístico de estas tierras. Añadamos a esta circunstancia el hecho de que, hasta no hace mucho tiempo, las investigaciones y estudios dedicados al patrimonio artístico de la provincia de Ciudad Real eran escasos. Más escasas aún, si cabe, eran hasta hace unos años las actuaciones concretas orientadas a la conservación o a la restauración de las manifestaciones artísticas de todo tipo localizadas dentro de los límites provinciales. Lo expuesto anteriormente se agravaba, aún más a nuestro parecer, en el terreno de la pintura mural. Una de las posibles explicaciones a este hecho habría que buscarla, como no, en los mayores costes económicos y exigencias técnicas que acarrea el mantenimiento y conservación de la pintura mural en comparación a la pintura de caballete...
Historically the province of Ciudad Real has been considered as a mere spectator of the changes and transformations that in all fields and in all historical periods, were taking place in the rest of Spain. One of the fields we refer to is the artistic, more specifically, the one which has mural paintings made for both public and private buildings. Through this work, we would like to contribute, as much as we can, to change this idea. The interest on these murals, situated in the length and width of the province is, from our point of view, clear. Through this doctoral thesis work we will try to explain this statement, analyzing twenty groups of religious paintings, which were made on wall between the 13th and 18th centuries. As in other places in our country, the destruction or neglect of our artistic heritage is obvious. We understand that this statement is evident touring the places where these works, object of our study are located. Sometimes ignorance and other economic individual interests have lead to the destruction of the artistic heritage in this land. We must add to this aspect the fact that, until not long ago, the research and studies dedicated to the artistic heritage of the province of Ciudad Real were scarce. What was more unusual still, if possible, until a few years ago, were specific actions oriented to the conservation or restoration of art of all types, located within provincial boundaries. What we have stated previously, was aggravated, even more from our point of view, in the field of mural painting. One of the possible explanations to this fact would have to be sought in the higher economic costs and technical requirements that the maintenance and conservation of the mural paintings entails in comparison to easel painting...
Historically the province of Ciudad Real has been considered as a mere spectator of the changes and transformations that in all fields and in all historical periods, were taking place in the rest of Spain. One of the fields we refer to is the artistic, more specifically, the one which has mural paintings made for both public and private buildings. Through this work, we would like to contribute, as much as we can, to change this idea. The interest on these murals, situated in the length and width of the province is, from our point of view, clear. Through this doctoral thesis work we will try to explain this statement, analyzing twenty groups of religious paintings, which were made on wall between the 13th and 18th centuries. As in other places in our country, the destruction or neglect of our artistic heritage is obvious. We understand that this statement is evident touring the places where these works, object of our study are located. Sometimes ignorance and other economic individual interests have lead to the destruction of the artistic heritage in this land. We must add to this aspect the fact that, until not long ago, the research and studies dedicated to the artistic heritage of the province of Ciudad Real were scarce. What was more unusual still, if possible, until a few years ago, were specific actions oriented to the conservation or restoration of art of all types, located within provincial boundaries. What we have stated previously, was aggravated, even more from our point of view, in the field of mural painting. One of the possible explanations to this fact would have to be sought in the higher economic costs and technical requirements that the maintenance and conservation of the mural paintings entails in comparison to easel painting...
Description
Tesis inédita de la Universidad Complutense de Madrid, Facultad de Bellas Artes, Departamento de Pintura, leída el 13 de noviembre de 2015 ; presidente, José Manuel Gayoso Vázquez