Publication: Investigación sobre poéticas de ocultación y silencio: Algunos recursos de interrupción en las prácticas artísticas
contemporáneas en defensa del territorio de la imaginación
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Publication Date
2016-09-22
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Abstract
Crear interrupción: Revisar algunas premisas dominantes sobre la configuración de nuestra relación, como espectadores, con el derecho a un imaginar y un pensar sin sometimientos. Pensar otras poéticas artísticas frente al arbitrario invadir de percepciones visuales y frente a la ligera elocuencia de aquellas prácticas que restan al servicio de la transparencia y de crear espectáculo. Interrumpir. Velar. Ocultar. Silenciar. Abrir otras extensiones para el acto de ver, de pensar la imagen. Devolver la mirada hacia el terreno de la acción imaginante. Anunciar un divorcio del arte excesivamente expuesto. Generar territorios de secreto y de enigma en defensa del vulnerable terreno de la imaginación. Abogar por las poéticas del silencio y de la ocultación, en confrontación con el perverso ejercicio de elocuencias, desde la urgencia de una interrupción para la reconquista de la condición poética de las imágenes desde el arte.
Una investigación en forma de ensayo-manifiesto que presenta un pensamiento construido a través de un ejercicio de tejeduría de intuiciones, premisas y preocupaciones en un entrecruce de casos de estudio de obras veladas -generadoras de enigma- en paralelo a tres propuestas de pensamiento plásticamente formalizadas.
To create an interruption: A review of some of the dominant premises on the configuration of our relationship as spectators with the right to imagine and to think without submission. To think of other artistic poetics opposite to the arbitrary invasion of visual perceptions and to the light eloquence of practices that remain at the service of transparency and creation of spectacle. To interrupt. To veil. To hide and to silence. To open other extensions to the act of seeing, of thinking the image. Returning the gaze towards the territories of the imagination’s action. To announce a divorce from the excessively exposed and talkative art. To generate territories of secret and mystery in defense of the vulnerable space of the imagination. To advocate for poetics of silence and the hidden in confrontation with the perverse exercise of eloquence stemming from the urgency of a disruption for a reconquest of the poetic condition of the images from Art. A research in the form of an essay-manifesto presenting a thought built through an exercise of weaving of intuitions, premises and concerns in a cross of case studies on veiled artworks which generate enigma along with three plastically formalized proposals.
To create an interruption: A review of some of the dominant premises on the configuration of our relationship as spectators with the right to imagine and to think without submission. To think of other artistic poetics opposite to the arbitrary invasion of visual perceptions and to the light eloquence of practices that remain at the service of transparency and creation of spectacle. To interrupt. To veil. To hide and to silence. To open other extensions to the act of seeing, of thinking the image. Returning the gaze towards the territories of the imagination’s action. To announce a divorce from the excessively exposed and talkative art. To generate territories of secret and mystery in defense of the vulnerable space of the imagination. To advocate for poetics of silence and the hidden in confrontation with the perverse exercise of eloquence stemming from the urgency of a disruption for a reconquest of the poetic condition of the images from Art. A research in the form of an essay-manifesto presenting a thought built through an exercise of weaving of intuitions, premises and concerns in a cross of case studies on veiled artworks which generate enigma along with three plastically formalized proposals.