Publication: Biofilia. El clima como experiencia Artística
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Publication Date
2016
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Facultad de Bellas Artes, Sección Departamental de Historia del Arte III (Contemporáneo)
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Abstract
"Biofilia. El clima como experiencia artística" explora nuestra vinculación emocional con el territorio a través de los factores climáticos y ambientales. A partir de este concepto –biofilia- entendido como afinidad innata por todo lo viviente y como sentimiento de conexión con el hábitat, se analiza la actual alienación del ser humano de la naturaleza, su déficit de conocimiento, de contacto y de experiencia vital del entorno.
Una reflexión que, además, conduce a una mirada hacia el interior, hacia los propios procesos artísticos, sus lenguajes y su relación con el espectador-usuario. Este ensayo surge de la estancia de cuatro días en el “Chozo Blanco”, una cabaña de pastores a 1.800 m de altitud. Un lugar donde experimentar la relación con ese todo indivisible del que, parece, hemos olvidado que formamos parte.
“Biophilia. The climate as an artistic experience” explores our emotional connection with the territory through climatic and environmental factors. From this concept - biophilia - understood as innate affinity for all living and as a feeling of connection with habitat, we analyse the current alienation of the human being from nature, its deficit of knowledge, contact and vital experience of the environment. A reflection that, in addition, leads to a look into the interior, towards the artistic processes themselves, their languages and their relationship with the viewer-user. This essay arises from the stay of four days in the "Chozo Blanco", a shepherd's hut at 1,800m altitude. A place to experience the relationship with that indivisible whole of which, it seems, we have forgotten that we are part.
“Biophilia. The climate as an artistic experience” explores our emotional connection with the territory through climatic and environmental factors. From this concept - biophilia - understood as innate affinity for all living and as a feeling of connection with habitat, we analyse the current alienation of the human being from nature, its deficit of knowledge, contact and vital experience of the environment. A reflection that, in addition, leads to a look into the interior, towards the artistic processes themselves, their languages and their relationship with the viewer-user. This essay arises from the stay of four days in the "Chozo Blanco", a shepherd's hut at 1,800m altitude. A place to experience the relationship with that indivisible whole of which, it seems, we have forgotten that we are part.
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UCM subjects
Bellas Artes, Creación artística
Unesco subjects
6203 Teoría, Análisis y Critica de las Bellas Artes