Publication: Información y crítica teatral en los diarios madrileños "El Porvenir" (1837) y "El Piloto" (1839-1840)
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2017-04-24
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Universidad Complutense de Madrid
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Abstract
La presente tesis doctoral, titulada Información y crítica teatral en los diarios madrileños El Porvenir (1837) y El Piloto (1839-1840), tiene como objeto los textos sobre teatro insertados en estos dos periódicos. Ambos fueron dirigidos por el político y filósofo Juan Donoso Cortés (1809-1853), considerado uno de los teóricos del Romanticismo, y representan unos años cruciales en el desarrollo de este movimiento en España, circunstancias que atrajeron primeramente nuestra atención. El interés del teatro en esta etapa del Romanticismo español y la relevancia que los redactores otorgaron a este género han sido determinantes para definir la materia de este trabajo. En cuanto a los objetivos de esta investigación, el primer capítulo, “Juan Donoso Cortés y los diarios El Porvenir y El Piloto”, ha sido elaborado con dos fines: determinar la función que desempeñaron sus directivos y los principales redactores, con especial atención a los críticos teatrales, y reunir en un mismo trabajo las biografías de todos ellos. Luis José Sartorius (1815-1871); Santos López Pelegrín, que firmaba como “Abenamar” (1800-1845); José Fernández de la Vega; Dionisio Alcalá Galiano (1811-1860) y Miguel Salvá (1791-1873) se encargaron de la crítica teatral en el primer diario, mientras que Salvador Bermúdez de Castro (1817-1883) y Leopoldo Augusto de Cueto (1815-1901) lo hicieron en el segundo. Además, el propio Donoso Cortés ejerció la crítica en El Porvenir. El segundo capítulo, “La información sobre teatros en El Porvenir y El Piloto”, tiene tres finalidades: mostrar los aspectos de la vida teatral que interesaban a los redactores, complementar los detalles que se ofrecen en los periódicos con otros recogidos en expedientes del Archivo de Villa, y ofrecer una breve historia de los teatros secundarios de la Sartén, de Buena-Vista y de las Tres Musas. El tercer capítulo, “La crítica teatral en El Porvenir y El Piloto”, pretende tres objetivos: definir el corpus de críticas difundidas en los dos periódicos; probar que los críticos teatrales de ambos diarios contribuyeron a configurar el canon del teatro romántico español desde una postura moderada; y resumir las teorías dramáticas expresadas por ellos...
This doctoral thesis, entitled Information and theatre review in the Madrilenian newspapers El Porvenir (1837) and El Piloto (1839-1840), has as subject of study the texts about theatre inserted in these two newspapers. Both were edited by the politician and philosopher Juan Donoso Cortés (1809-1853), considered as one of the theorists of Romanticism, and they represent a crucial period in the development of this movement in Spain, circumstances that firstly attracted our attention. The interest of the theatre at this stage of Spanish Romanticism and the relevance that the editors gave to this genre have been decisive to define the terms of this work. As for the objectives of this research, the first chapter, entitled “Juan Donoso Cortés and the newspapers El Porvenir and El Piloto”, has been developed with two fundamental purposes: to determine the role played by the members of the management teams and the mains editors, with special attention to theatre critics and their articles, and to incorporate their biographies into a single study. Luis José Sartorius (1815-1871); Santos López Pelegrín, who signed as “Abenamar” (1800-1845); José Fernández de la Vega; Dionisio Alcalá Galiano (1811-1860) y Miguel Salvá (1791-1873) were responsible for the theatre review in the first newspaper, whereas Salvador Bermúdez de Castro (1817-1883) y Leopoldo Augusto de Cueto (1815-1901) were the critics in the second. Donoso Cortés himself practiced the theatre review in El Porvenir. The second chapter, “The information on theatres in El Porvenir and El Piloto”, has three aims: to show the aspects of the theatrical life that interested the editors; to complement the details provided in the two newspapers with others found in files from the Archivo de Villa; and to offer a brief history of the Sartén, the Buena-Vista and the Tres Musas secondary theatres...
This doctoral thesis, entitled Information and theatre review in the Madrilenian newspapers El Porvenir (1837) and El Piloto (1839-1840), has as subject of study the texts about theatre inserted in these two newspapers. Both were edited by the politician and philosopher Juan Donoso Cortés (1809-1853), considered as one of the theorists of Romanticism, and they represent a crucial period in the development of this movement in Spain, circumstances that firstly attracted our attention. The interest of the theatre at this stage of Spanish Romanticism and the relevance that the editors gave to this genre have been decisive to define the terms of this work. As for the objectives of this research, the first chapter, entitled “Juan Donoso Cortés and the newspapers El Porvenir and El Piloto”, has been developed with two fundamental purposes: to determine the role played by the members of the management teams and the mains editors, with special attention to theatre critics and their articles, and to incorporate their biographies into a single study. Luis José Sartorius (1815-1871); Santos López Pelegrín, who signed as “Abenamar” (1800-1845); José Fernández de la Vega; Dionisio Alcalá Galiano (1811-1860) y Miguel Salvá (1791-1873) were responsible for the theatre review in the first newspaper, whereas Salvador Bermúdez de Castro (1817-1883) y Leopoldo Augusto de Cueto (1815-1901) were the critics in the second. Donoso Cortés himself practiced the theatre review in El Porvenir. The second chapter, “The information on theatres in El Porvenir and El Piloto”, has three aims: to show the aspects of the theatrical life that interested the editors; to complement the details provided in the two newspapers with others found in files from the Archivo de Villa; and to offer a brief history of the Sartén, the Buena-Vista and the Tres Musas secondary theatres...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, Departamento de Filología Española III (Lengua y Literatura), leída el 14-12-2015