Publication: Fernando Arrabal y Bartolomeu Campos de Queirós: escrituras singulares del yo
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2018-03-14
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Universidad Complutense de Madrid
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Abstract
Las llamadas literaturas del Yo han adquirido una creciente importancia en las últimas décadas, y al considerar su reciente auge en las literaturas brasileña y española – especialmente a finales de la década de 70, gracias al fin de la dictadura franquista, en España, y del AI-5, en Brasil – los estudios sobre el género y los análisis de obras contemporáneas de dichos países asumen una gran relevancia en los estudios literarios tanto a nivel nacional como internacional. Igualmente empiezan a surgir más estudios teóricos sobre el tema. Sin embargo, en comparación con otros países europeos, el estudio del género todavía es reciente en estos dos países, y, en Brasil, sobretodo, con una tradición literaria mucho más joven que España, las investigaciones específicas sobre el género autobiográfico son menos numerosas, en particular si se compara con la gran pujanza del tema en países como Francia, en que la escritura autobiográfica ya encuentra una tradición más arraigada. El presente estudio, no obstante, no pretende aportar nuevas definiciones para la teoría del género autobiográfico, cuya propia existencia es cuestionada por algunos teóricos. Se considera, asimismo, las dos principales corrientes referentes al género autobiográfico, en general consideradas disonantes, representadas sobretodo por Lejeune y Paul de Man, como complementarias y no excluyentes, es decir, que existe simultáneamente una referencialidad del narrador-personaje respeto al autor y una ficcionalización del Yo como esfera del discurso...
The literatures of the Self have become increasingly important in the past decades, and if we consider its recent rise in the Spanish and Brazilian literatures - specially in the late 1970s, thanks to the end of Franco’s dictatorship in Spain, and of the AI-5 in Brazil - studies concerning this literary genre and contemporary works from the stated countries assume a great relevance both nationally and internationally. A greater number of theoretical studies concerning this genre have also started to emerge. However, in comparison to other European countries, they are still recent in these two countries, and mostly in Brazil, which has a much younger literature tradition than Spain, and where specific studies concerning the autobiographical genre are less numerous, particularly when compared to the importance they have in countries like France, where the literature of the Self is already a well established tradition. The present study, however, will not attempt to provide new definitions of the autobiographical genre, whose very existence is still questioned by some theorists. The two major strands concerning the literature of the Self, which are mainly represented by Lejeune and Paul de Man and generally considered discordant, are here regarded as complementary and non-exclusive. In other words, this study considers that both a referentiality of the narrator-character regarding the author and a fictionalization of the Self as a product of the discourse exist simultaneously...
The literatures of the Self have become increasingly important in the past decades, and if we consider its recent rise in the Spanish and Brazilian literatures - specially in the late 1970s, thanks to the end of Franco’s dictatorship in Spain, and of the AI-5 in Brazil - studies concerning this literary genre and contemporary works from the stated countries assume a great relevance both nationally and internationally. A greater number of theoretical studies concerning this genre have also started to emerge. However, in comparison to other European countries, they are still recent in these two countries, and mostly in Brazil, which has a much younger literature tradition than Spain, and where specific studies concerning the autobiographical genre are less numerous, particularly when compared to the importance they have in countries like France, where the literature of the Self is already a well established tradition. The present study, however, will not attempt to provide new definitions of the autobiographical genre, whose very existence is still questioned by some theorists. The two major strands concerning the literature of the Self, which are mainly represented by Lejeune and Paul de Man and generally considered discordant, are here regarded as complementary and non-exclusive. In other words, this study considers that both a referentiality of the narrator-character regarding the author and a fictionalization of the Self as a product of the discourse exist simultaneously...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Filología, leída el 19/06/2017