Publication: Habla para que pueda verte. Análisis crítico en torno a la vulnerabilidad en Véronique Doisneau de Jérôme Bel
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2017-09
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Abstract
Este trabajo propone una aproximación a la pieza Véronique Doisneau (2004) del coreógrafo francés Jérôme Bel, atendiendo a la revisión crítica de la economía de la representación en la que se inscribe la danza y más específicamente al tipo de representaciones que esta produce y aquellas que desde esta pieza se plantean como modos alternativos de considerar el cuerpo en escena. De manera concreta, se analiza cómo en Véronique Doisneau este ejercicio toma la forma de una reorganización de la materialidad del cuerpo actuante desde el punto de vista de su vulnerabilidad y qué implicaciones estético-políticas pueden derivarse de esta perspectiva situándonos en el contexto más amplio de la producción coreográfica europea contemporánea.
This essay proposes a critical approach to Véronique Doisneau, an artwork of the French choreographer Jérôme Bel, in order to focus on its critical revision of the representation regime in which dance is inscribed and more specifically on the kinds of representations that dance produces and those that are suggested by the piece in relation to the alternatives modes of the conception of body in the scene. In particular, this essay analyses how in Véronique Doisneau this question is addressed by a reorganisation of the acting body materiality from the point of view of its vulnerabilty, and which aesthetic and political implications are derived from this perspective, considering it in the wide context of the contemporary European choreography.
This essay proposes a critical approach to Véronique Doisneau, an artwork of the French choreographer Jérôme Bel, in order to focus on its critical revision of the representation regime in which dance is inscribed and more specifically on the kinds of representations that dance produces and those that are suggested by the piece in relation to the alternatives modes of the conception of body in the scene. In particular, this essay analyses how in Véronique Doisneau this question is addressed by a reorganisation of the acting body materiality from the point of view of its vulnerabilty, and which aesthetic and political implications are derived from this perspective, considering it in the wide context of the contemporary European choreography.