Publication: La fotografía bélica, los modos de transformación de realidades y su uso propagandístico
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2004
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Abstract
Aquí se comentan los conceptos de signos y símbolos, para entrar luego en la fotografía bélica convertida en simbólica. El núcleo del ensayo es analizar la icónica foto de Robert Capa del miliciano caído en la Guerra Civil española, del que se desprende que fue posada y no una muerte real. Tras comentar varios premios Pulitzer de fotografía, se termina con el problema ético de las escenificaciones fotográficas.
We discuss here the concepts of signs and symbols, to enter later in the war photography converted into symbolic. The core of the essay is to analyze the iconic photo of Robert Capa militiaman fallen in the Spanish Civil War, which shows that it was a theatrical pose and not a real death. After commenting on several Pulitzer prizes of photography, the ethical problem of photographic stagings is ended.
We discuss here the concepts of signs and symbols, to enter later in the war photography converted into symbolic. The core of the essay is to analyze the iconic photo of Robert Capa militiaman fallen in the Spanish Civil War, which shows that it was a theatrical pose and not a real death. After commenting on several Pulitzer prizes of photography, the ethical problem of photographic stagings is ended.
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Comunicación presentada al VI Congreso de Historiadores de la Comunicación (Universidad de Vigo, 2003). Autorizada su reproducción por los organizadores.