Publication: Control genético de la recombinación homóloga en la meiosis de "Arabidopsis thaliana"
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2015
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Universidad Complutense de Madrid
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Abstract
Ante la dificultad de trasladar a la experiencia artística el concepto de investigación procedente del ámbito científico, pretendo encontrar un lugar propio de investigación integrador de capacidades conceptuales y sensoriales que pueda dar sentido a un trabajo sobre escultura contemporánea en el ámbito universitario. Como estrategia, equiparo el taller del artista con al laboratorio donde los científicos comprueban sus hipótesis investigadoras. Convencido de que no hay mejor investigación en arte que la que se realiza desde la misma producción creativa, actitudes como la de Oteiza, descubren las posibilidades de "reverberación" inherentes a la actividad creadora, ventajosas para reflexionar sobre tres intervenciones propias en el espacio público. El terrible atentado del 11 de Marzo originará Dim Light Source Unknown. Atiendo aquí a la relación entre arte y violencia explicando una intervención urbana a partir de un espacio degradado y desestructurado, proponiéndome articularlo pensando en ofrecérselo a las víctimas y a sus familiares. Una señal, un saludo es una escultura ubicada en el Camino de Santiago a su paso por Burgos. Pensando los conceptos materia, espacio y tiempo como los más esenciales para contribuir al desarrollo de lo escultórico, planteo un trabajo en un material poco frecuente en escultura (duraluminio), al que además se le aplica una tecnología también poco habitual (mecanización con fresadora CNC). El legislador, está ubicado en el Nuevo Palacio de Justicia de Cuenca. Asistido por un servicio de ingeniería que aseguraba las maniobras constructivas, se establece esta escultura condicionando la urbanización arquitectónica. En ella se atiende a lo arquitectónico, propio de las altas torres de nuestras ciudades, y a lo antropomórfico, asumido por la estatuaria más clásica.
It is difficult to apply scientific research concepts to artistic experience, so my aim is to find a new research space that brings together the conceptual and sensory abilities that can give meaning to a work on contemporary sculpture in a university setting. My strategy consists of fitting out the artist's studio with the laboratory where scientists test their research hypotheses. Convinced that there is no better way to research art than to do so during the creative process itself, theorists such as Oteiza have discovered the possibilities of "reverberation" inherent to creative activities, and these can be used to reflect upon three of my own sculptures now installed in public spaces. The Madrid bombings of 11th March 2004 inspired Dim Light Source Unknown. In this piece, I looked at the relationship between art and violence, creating an urban sculpture from a run-down space with the aim of offering it to the victims and their families. Una señal, un saludo is a sculpture located on the Camino de Santiago pilgrimage route as it passes through the city of Burgos. Here I focused on the concepts of material, space and time as the essential elements for sculpture development, creating a piece in a material not commonly used in sculpture (duraluminum) and sculpting it using a rarely used technique (CNC milling machine). El legislador is in the courtyard of the new courthouse building in the city of Cuenca. I was assisted in the installation of this piece by engineers who ensured that the required construction work was carried out, and the sculpture blends in with the surrounding architecture. The piece examines the architecture of city tower blocks and the anthropomorphism typical of classic statuary
It is difficult to apply scientific research concepts to artistic experience, so my aim is to find a new research space that brings together the conceptual and sensory abilities that can give meaning to a work on contemporary sculpture in a university setting. My strategy consists of fitting out the artist's studio with the laboratory where scientists test their research hypotheses. Convinced that there is no better way to research art than to do so during the creative process itself, theorists such as Oteiza have discovered the possibilities of "reverberation" inherent to creative activities, and these can be used to reflect upon three of my own sculptures now installed in public spaces. The Madrid bombings of 11th March 2004 inspired Dim Light Source Unknown. In this piece, I looked at the relationship between art and violence, creating an urban sculpture from a run-down space with the aim of offering it to the victims and their families. Una señal, un saludo is a sculpture located on the Camino de Santiago pilgrimage route as it passes through the city of Burgos. Here I focused on the concepts of material, space and time as the essential elements for sculpture development, creating a piece in a material not commonly used in sculpture (duraluminum) and sculpting it using a rarely used technique (CNC milling machine). El legislador is in the courtyard of the new courthouse building in the city of Cuenca. I was assisted in the installation of this piece by engineers who ensured that the required construction work was carried out, and the sculpture blends in with the surrounding architecture. The piece examines the architecture of city tower blocks and the anthropomorphism typical of classic statuary
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias Biológicas, Departamento de Genética, leída el 16/06/2014.