Publication: Dos interpretaciones del (mismo) espacio. El paisaje mítico norteamericano en el cine (Malas tierras, Badlands, Terrence Malick, 1973) y en el fotolibro (Redheaded Peckerwood, Christian Patterson, 2011)
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2018
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Universidad de Málaga
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Abstract
El presente artículo analiza el tratamiento del paisaje mítico norteamericano en la película de Terrence Malick Malas tierras (Badlands, 1973) y en el fotolibro de Christian Patterson Redheaded Peckerwood (2011); dos interpretaciones de un caso real: los asesinatos cometidos por Charles Starkweather y Caril Ann Fugate y su huida por el Medio Oeste americano. Se establece un diálogo comparativo entre el cine, la fotografía y el libro, reflexionando sobre las especifidades de cada medio.
This article analyzes North American landscape in Terrence Malick's Badlands (1973) film and Christian Patterson’s Redheaded Peckerwood (2011) photobook. These are two interpretations of a real case: the murders committed by Charles Starkweather and Caril Ann Fugate and their getaway through the American Midwest. A comparative dialogue between cinema, photography and the book reflecting the specificity of each medium is established.
This article analyzes North American landscape in Terrence Malick's Badlands (1973) film and Christian Patterson’s Redheaded Peckerwood (2011) photobook. These are two interpretations of a real case: the murders committed by Charles Starkweather and Caril Ann Fugate and their getaway through the American Midwest. A comparative dialogue between cinema, photography and the book reflecting the specificity of each medium is established.
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