Publication: Siete Sacramentos
Loading...
Full text at PDC
Publication Date
2018
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Complutense de Madrid
Citations
Exportar
Abstract
Los siete sacramentos son los signos por los cuales se les facilita a los cristianos el camino a la salvación de su alma, santificando ciertos momentos cruciales ritualizados a lo largo de su ciclo vital. Hasta el siglo XI no existe una clara distinción entre las celebraciones de los sacramentos y de los sacramentales. Los escritos de Pedro Lombardo en el siglo XII, así como los de Tomás de Aquino en el XIII, ya codifican los sacramentos en siete y en la forma en la que se conocen en la actualidad: bautismo, confirmación, penitencia, eucaristía, sagradas órdenes, matrimonio y extremaunción.
The seven sacraments are the signs by which Christians are given the path to the salvation of their soul, sanctifying certain ritualized moments throughout their life cycle. From the 11th and 12th centuries, thanks to writers like Peter Lombard or Thomas Aquinas, we know that they are organized in seven: baptism, confirmation, penance, eucharist, holly orders, marriage and extreme unction. Each sacrament is represented by alluding to the most significant ritual scene in the medieval imaginary. From the 14th century we find iconographic programs of sacramental themes that relate the sacraments with virtues and vices, with their iconographic prefigures in the Bible, or with the sacrifice of Christ on the cross. The iconography of the sacraments should not be confused with that of the sacramental (consecration of churches, blessings, or funerals, among others).
The seven sacraments are the signs by which Christians are given the path to the salvation of their soul, sanctifying certain ritualized moments throughout their life cycle. From the 11th and 12th centuries, thanks to writers like Peter Lombard or Thomas Aquinas, we know that they are organized in seven: baptism, confirmation, penance, eucharist, holly orders, marriage and extreme unction. Each sacrament is represented by alluding to the most significant ritual scene in the medieval imaginary. From the 14th century we find iconographic programs of sacramental themes that relate the sacraments with virtues and vices, with their iconographic prefigures in the Bible, or with the sacrifice of Christ on the cross. The iconography of the sacraments should not be confused with that of the sacramental (consecration of churches, blessings, or funerals, among others).
Description
UCM subjects
Keywords
Citation
ALTVATER, Frances (2017): Sacramental Theology and the Decoration of Baptismal Fonts: Incarnation, Initiation, Institution. Cambridge Scholars Publishing, Newcastle.
BACH, Eugène (1945): “Les broderies de la chape donnée par Jacques de Romont à la cathédrale de Lausanne et leurs sources d"inspiration”, Zeitschrift für schweizerische Archäologie und Kunstgeschichte 7, pp. 39-42.
BAKER, Eric P. (1934): “Seven-Sacrament Fonts in Germany”, The Archaeological Journal 91, pp. 221-240.
BAKER, Eric P. (1935): “The Sacraments and the Passion in Medieval Art”, The Burlington Magazine 66, pp. 81–89.
BECHERUCCI, Luisa (1927): “I relievi dei sacramenti nel campanile del duomo di Firenze”, L’Arte 30, pp. 214–223.
BROWE, Peter (1929): “Die Elevation in der Messe”, Jahrbuch für Liturgiewissenschaft 9, pp. 20-66.
CAVALLO, Adolfo Salvatore (1993): “Seven Scenes from the Story of the Seven Sacraments and Their Prefigurations in the Old Testament”, Medieval Tapestries in The Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, pp. 156-173.
COMBE, Thomas y Frederick Apthorp PALEY (1844): Illustrations of Baptismal Fonts. John van Voorst, London.
DE CREMONA, Sicardo (s. XIII): Mitrale, sive, de officis ecclesiasticis summa, Lib. 2, Cap. II. Ed. de Jacques-Paul Migne, Patrologia latina. Garnier, París, col. 213.
DE SAN VÍCTOR, Hugo (s. XII): De sacramentis, Lib. II, Parte VI, Cap. VI. Ed. de Jacques-Paul Migne, Patrologia latina. Garnier, París [vol. 176].
FRUGONI, Chiara (1977): “L’iconografia del matrimonio e della coppia nel medioevo”, en VV. AA., Il matrimonio nella società alto-medievale, Spoleto 22-28 aprile. Centro italiano di studi sull"Alto Medioevo, Spoleto, pp. 901-966.
FRYER, Alfred C. (1902): “On Fonts with Representations of the Seven Sacraments”, en The Archaeological Journal 59, pp. 17-66.
GALLART Pineda, Pascual (2015): “Ordenados por Dios a través de su espíritu. Tipos iconográficos de la ordenación presbiterial: de la imposición de manos a la Traditio Instrumentorum”, Rafael García Mahíques y Sergi Doménech García (ed.), Valor discursivo del cuerpo en el barroco hispánico. Universitat de València, Valencia, pp. 395-407.
GODWIN, Frances G. (1951): “An Illustration to the De Sacramentis of St. Thomas Aquinas”, Speculum 26, nº 4, pp. 609-614.
HUSENBETH, Frederick Charles (1858): “On Sacramental Fonts in Norfolk”, Journal of the British Archaeological Association 14, pp. 51-56.
MARTIMORT, Aimé-Georges, ed. (1961): L"Eglise en Priére. Introduction à la liturgie. Vol. III. Les Sacrements. Desclée, Paris.
MARTOS, Joseph (1981): Doors to the Sacred. A Historical Introduction to Sacraments in the Christian Church. Image Books, Garden City.
MONTI, James (2012): A sense of the sacred. Roman catholic Worship in the Middle Ages. Ignatius Press, San Francisco.
NICHOLS, Ann Eljenholm (1994): Seeable Signs: The Iconography of the Seven Sacraments, 1350-1544. The Boydell Press, Woodbridge.
NORDSTRÖM, Folke (1984): Mediaeval baptismal fonts: an iconographical study. Universitet i Umeå y Almqvist, Umeå y Stockholm (Sweden).
PAZOS-LÓPEZ, Ángel (2017): “Imagen y presencia de la liturgia sacramental medieval en el Tríptico de la Redención del Museo del Prado”, Eikón Imago 12, pp. 169-200.
REYNOLDS, Roger E. (1983): “Image and Text: The Liturgy of Clerical Ordination in Early Medieval Art”, Gesta 22, pp. 27-38.
RUIZ I QUESADA, Francesc (2016): “Starnina en Valencia. Iconografías y una obra inédita procedente del antiguo retablo mayor de Alpuente”, Retrotabulum. Estudis d’art medieval 19, pp. 2-61.
RUSHFORTH, Gordon McNeil (1929): “Seven Sacraments Compositions in English Medieval Art”, The Antiquaries Journal 9, vol. 2, pp. 83-100.
VOGEL, Cyrille (1969): Le pécheur et la pénitence au Moyen âge: Textes choisis, traduits et présentés. Éditions du Cerf, Paris, pp. 17-18.