Publication: El pensamiento musical de Isidoro de Sevilla: aspectos contextuales, históricos y filosóficos. Fundamentos clásicos y patrísticos
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2019-11-05
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Universidad Complutense de Madrid
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Abstract
El pensamiento musical de Isidoro de Sevilla: aspectos contextuales, históricos y filosóficos. Fundamentos clásicos y patrísticos. Isidoro de Sevilla, padre y doctor de la Iglesia, fue el mayor y más famoso erudito de la Hispania visigoda, una de las grandes luminarias del Occidente latino de los siglos de transición de la Antigüedad Tardía a la Alta Edad Media y el enciclopedista más famoso del periodo. Escribió sobre todos los temas posibles que se pueden leer en la literatura de su época, entre los que, evidentemente, se encuentra la música, que ocupa un lugar muy importante dentro de su producción. Diseminadas por todo el corpus isidoriano existen muchas referencias musicales que tratan esta disciplina desde muy diferentes e interesantes puntos de vista (filosófico, histórico, físico-acústico, armónico, rítmico, métrico, organológico, litúrgico…)...
Isidore of Seville‟s Musical Thought: Contextual, Historical and Philosophical Aspects. Classic and Patristic Foundations. Isidore of Seville, Doctor and Father of the Church, was the greatest and most celebrated scholar of Visigothic Hispania, one of the most eminent luminaries of the Latin West in the centuries between the Late Antiquity and the High Middle Ages, and the most renowned encyclopaedist at the time. He wrote about the most assorted matters that the literature of his time could address, among which music evidently occupies a prominent place. Scattered throughout the Isidorian corpus are numerous musical references which treat this subject from different angles – philosophical, historical, physical acoustic, harmonic, rhythmical, organological, liturgical…
Isidore of Seville‟s Musical Thought: Contextual, Historical and Philosophical Aspects. Classic and Patristic Foundations. Isidore of Seville, Doctor and Father of the Church, was the greatest and most celebrated scholar of Visigothic Hispania, one of the most eminent luminaries of the Latin West in the centuries between the Late Antiquity and the High Middle Ages, and the most renowned encyclopaedist at the time. He wrote about the most assorted matters that the literature of his time could address, among which music evidently occupies a prominent place. Scattered throughout the Isidorian corpus are numerous musical references which treat this subject from different angles – philosophical, historical, physical acoustic, harmonic, rhythmical, organological, liturgical…
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Geografía e Historia, Departamento de Musicología, leída el 24/07/2019