Publication: La experiencia encarnada como nuevo horizonte epistemológico y metodológico en la investigación en comunicación audiovisual. Hacia una concepción de la obra audiovisual como dispositivo encarnado
Loading...
Official URL
Full text at PDC
Publication Date
2019
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Raúl Eguizabal Maza (UCM)
Citations
Exportar
Abstract
Avanzamos una propuesta epistemológica y metodológica alternativa para la investigación en comunicación que explora dimensiones materiales, procesuales, relacionales, maquínicas, sensoriales y performativas de la obra audiovisual. A través de un ejercicio cartográfico de mapeo de teorías y aproximaciones al fenómeno audiovisual históricamente disidentes, nos alejamos de la concepción textual de la obra adoptando un enfoque procesual que se interesa por la experiencia audiovisual como vivencia existencialmente encarnada y por la obra como dispositivo capaz de generar formas de sentido más allá de los entramados narrativos y los procesos significantes.
We propose an alternative epistemological and methodological framework for media and communication exploring material, processual, relational, machinic, sensorial and performative dimensions of audiovisual works. Through a cartographic exercise consisting on mapping historically dissident media theories and approaches, we will move away from the textual conception of artworks and embrace a processual approach considering the audiovisual experience as existentially embodied and the artwork as a device capable of generating sensible forms of meaning going beyond narrative structures and signifying processes.
We propose an alternative epistemological and methodological framework for media and communication exploring material, processual, relational, machinic, sensorial and performative dimensions of audiovisual works. Through a cartographic exercise consisting on mapping historically dissident media theories and approaches, we will move away from the textual conception of artworks and embrace a processual approach considering the audiovisual experience as existentially embodied and the artwork as a device capable of generating sensible forms of meaning going beyond narrative structures and signifying processes.