Publication: La Finca, todo esto era campo: un cortometraje documental, ecofeminista, rural y familiar
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2020-02
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Abstract
En este trabajo se presenta todo el proceso de creación, desde la idea original hasta el montaje final, del cortometraje documental "La Finca, todo esto era campo (2019)". Se trata de una obra muy personal y familiar, realizada desde una perspectiva autoetnográfica que reflexiona, bajo una mirada ecofeminista, sobre la pérdida del mundo rural y familiar.
Esta sensación de pérdida se concreta en La Finca donde vive mi abuela Mari Carmen, un espacio ubicado actualmente en el polígono industrial de Arganda del Rey, y cuya venta parece inminente ante la construcción de una chatarrería en la antigua finca de nuestra vecina. Sumergiéndome de lleno en la memoria y los recuerdos, pretendo entender el significado que ha tenido este espacio en la construcción de mi identidad para criticar un modelo de progreso descontrolado que sucede a costa de las personas y, sobre todo, de las mujeres.
This work presents the whole process of creation of the short documentary film "La Finca, all this was the countryside (2019)", from the original idea to the final editing. This is a very personal and familiar work, made from an autoethnographic perspective that reflects, under an ecofeminist view, the loss of the rural and family world. This feeling of loss is made concrete in La Finca, where my grandmother Mari Carmen lives, a space currently located in the industrial area of Arganda del Rey, and whose sale seems imminent because of the construction of a scrap metal yard in the old estate of our neighbor. By fully immersing myself in memories and recollections, I try to understand the meaning this space has had in the construction of my identity in order to criticize a model of uncontrolled progress that happens at the expense of people and, above all, women.
This work presents the whole process of creation of the short documentary film "La Finca, all this was the countryside (2019)", from the original idea to the final editing. This is a very personal and familiar work, made from an autoethnographic perspective that reflects, under an ecofeminist view, the loss of the rural and family world. This feeling of loss is made concrete in La Finca, where my grandmother Mari Carmen lives, a space currently located in the industrial area of Arganda del Rey, and whose sale seems imminent because of the construction of a scrap metal yard in the old estate of our neighbor. By fully immersing myself in memories and recollections, I try to understand the meaning this space has had in the construction of my identity in order to criticize a model of uncontrolled progress that happens at the expense of people and, above all, women.