Publication: Electrodomésticas. Prácticas artísticas sobre usos-otros de las tecnologías culinarias
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2021-06-14
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Abstract
Diversas autoras feministas plantean que la tecnología no es neutra, sino que existe una relación entre las tecnologías y los sistemas patriarcales, que separa a las mujeres, y sujetxs Xeno-Hombres, de los procesos tecnológicos. Por lo tanto, son necesarias las revisiones feministas y en clave de género del campo, para no reproducir el sistema (cis-hetero) patriarcal (blanco-Occidental-burgués). La presente investigación tratará de desvelar quien o quienes son representadas como la Otredad de las tecnologías, haciendo hincapié en las tecnologías culinarias y su relación con las mujeres.
Haciendo uso de la particularidad de estas tecnologías “femeninas” (o “para mujeres”), y aprovechando su potencialidad política desde la sombra y lo no-enunciado, se generan fisuras y resistencias en la continuidad normativa de las lógicas patriarcales de las tecnologías. Los utensilios de cocina tienen un papel central en la práctica artística del trabajo, así como las prácticas y epistemes asociados a ellos. El acto de reunirse a comer se utiliza como táctica guerrillera para afrontar desde la práctica los asuntos tratados en el texto.
Various feminist authors see technology as non-neutral, seeing a direct relationship between technologies and patriarchal systems that alienates women and Xeno-Man subjects from technological processes. Therefore, feminist and gender-based revisions of the field are necessary in order not to reproduce the (cis-straight) patriarchal (white-Western-bourgeois) system. This present investigation will try to reveal those who are presented as the Otherhood of technologies, in particular by focusing on culinary technologies and their relationships with women. Though the particularity of feminine (or “for women”) technologies and taking advantage of their political potential from the shade and the non-stated, fissures and resistances are generated in the normative continuity of patriarchal logics of technologies. Kitchen utensils play a main role in this artistic practice of this work, along with practices and epistemes associated with them. The act of gathering to eat is used as a guerrilla tactic to confront the practical aspects of the issues portrayed in the text.
Various feminist authors see technology as non-neutral, seeing a direct relationship between technologies and patriarchal systems that alienates women and Xeno-Man subjects from technological processes. Therefore, feminist and gender-based revisions of the field are necessary in order not to reproduce the (cis-straight) patriarchal (white-Western-bourgeois) system. This present investigation will try to reveal those who are presented as the Otherhood of technologies, in particular by focusing on culinary technologies and their relationships with women. Though the particularity of feminine (or “for women”) technologies and taking advantage of their political potential from the shade and the non-stated, fissures and resistances are generated in the normative continuity of patriarchal logics of technologies. Kitchen utensils play a main role in this artistic practice of this work, along with practices and epistemes associated with them. The act of gathering to eat is used as a guerrilla tactic to confront the practical aspects of the issues portrayed in the text.