Publication: Propuesta de conservación y restauración de una miniatura “Quasi Oliva” de Von Barabino.
Loading...
Official URL
Full text at PDC
Publication Date
2021-06-01
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Citations
Exportar
Abstract
El presente Trabajo de Fin de Grado trata de la Quasi Oliva pintada por Von Barabino, una miniatura realizada con óleo sobre cobre en el s.XIX, la pieza muestra una representación de la Virgen con niño, perteneciente a la colección privada de Victoria Avendaño. La obra objeto de nuestro estudio es de una gran excepcionalidad tanto por su iconografía religiosa como por la técnica y formato que se ha empleado para su realización, lo que hace que esta pieza sea de gran interés para su investigación. Los primeros pasos para su estudio han sido la investigación sobre el autor y la época descubriendo el mundo de la miniatura en diferentes contextos. El objeto de nuestra investigación consiste en valorar los diferentes tratamientos necesarios para garantizar una buena conservación y lectura de la pintura.
Una vez hecha la valoración se determinará un plan de intervención según los daños producidos por los factores de deterioro a los que ha estado sometida, siguiendo los procesos más adecuados para las características materiales y pictóricas de la obra. También se establecerá un plan de conservación preventiva en el que se procurarán los parámetros adecuados para su buen mantenimiento y durabilidad, siendo también parte esencial la puesta en valor de la obra que se desarrolla a lo largo del trabajo.
This thesis deals with the Quasi Oliva painted by Von Barabino, a miniature made with oil on copper in the 19th century, the piece shows a representation of the Virgin with child, belonging to the private collection of Victoria Avendaño. The work we are studying is exceptional both for its religious iconography and for the technique and format used in its production, which makes this piece of great interest for research. The first steps for its study have been the research on the author and the period, discovering the world of the miniature in different contexts. The aim of our research consists of assessing the different treatments necessary to guarantee a good conservation and reading of the painting. Once the assessment has been made, an intervention plan will be determined according to the damage caused by the deterioration factors to which it has been subjected, following the most appropriate processes for the material and pictorial characteristics of the work. A preventive conservation plan will also be established in which the appropriate parameters for its good maintenance and durability will be sought, with the enhancement of the value of the work being an essential part of the work that is developed throughout the work.
This thesis deals with the Quasi Oliva painted by Von Barabino, a miniature made with oil on copper in the 19th century, the piece shows a representation of the Virgin with child, belonging to the private collection of Victoria Avendaño. The work we are studying is exceptional both for its religious iconography and for the technique and format used in its production, which makes this piece of great interest for research. The first steps for its study have been the research on the author and the period, discovering the world of the miniature in different contexts. The aim of our research consists of assessing the different treatments necessary to guarantee a good conservation and reading of the painting. Once the assessment has been made, an intervention plan will be determined according to the damage caused by the deterioration factors to which it has been subjected, following the most appropriate processes for the material and pictorial characteristics of the work. A preventive conservation plan will also be established in which the appropriate parameters for its good maintenance and durability will be sought, with the enhancement of the value of the work being an essential part of the work that is developed throughout the work.