Publication: El aprovechamiento del soporte por parte de los artistas paleolíticos en cavidades de Asturias y Cantabria: la búsqueda de la tercera dimensión
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2022-01-18
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Universidad Complutense de Madrid
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Abstract
El estudio del arte rupestre paleolítico desde su descubrimiento, se ha ido centrando en la investigación de diversos temas tales como las figuras representadas, la relación delos conjuntos, los entornos, las posibles interpretaciones vinculadas a las representaciones y sus asociaciones. Sin embargo, durante un amplio lapso de tiempo, uno de los elementos que ahora podría considerarse como fundamental, fue sistemáticamente ignorado. El concepto soporte parietal, no despertó el interés suficiente como para formar parte de la investigación hasta momentos finales del pasado siglo. Esta falta de interés durante décadas, han convertido el estudio del soporte y su aprovechamiento en un camino aún por explorar. A fin de ahondar en esta serie de carencias, esta tesis doctoral se ha centrado en el estudio en profundidad del aprovechamiento de los soportes en el interior de las cavidades decoradas de Asturias y Cantabria. En este sentido, nos planteamos una serie de objetivos específicos que buscan determinar la existencia de figuras que, aún siendo ya conocidas, se encuentran más completas con el uso de los soportes, así como la existencia de patrones en el uso de los elementos topográficos en relación a las cavidades seleccionadas, el tipo de figuras/motivos representados y el periodo cronológico en el que se inscriben...
Since its discovery, the study of paleolithic rock art has focused on investigating various topics such as the represented figures, the relationship between the figures, the environment and the possible interpretations of the representations. However, for a long period of time, one of the elements that is now considered essential in the study of rock art, was systematically ignored. The concept of “parietal substrate” did not arouse enough interest to be researched until the end of the last century. Consequently, the study of the rock substrate, its importance and its use in rock art remains yet to be explored. In order to delve into this series of shortcomings in the existing research, this doctoral thesis has focused on the in-depth study of the use of the substrate in the decorated cavities of Asturias and Cantabria. With this aim, we established a series of specific objectives that seek to determine whether already known figures are more complete than previously believed to be when considering the use of the substrate, as well as finding patterns in the use of topographic elements in relation to the selected cavities, such as the type of figures / motifs represented and the chronological period in which they were inscribed...
Since its discovery, the study of paleolithic rock art has focused on investigating various topics such as the represented figures, the relationship between the figures, the environment and the possible interpretations of the representations. However, for a long period of time, one of the elements that is now considered essential in the study of rock art, was systematically ignored. The concept of “parietal substrate” did not arouse enough interest to be researched until the end of the last century. Consequently, the study of the rock substrate, its importance and its use in rock art remains yet to be explored. In order to delve into this series of shortcomings in the existing research, this doctoral thesis has focused on the in-depth study of the use of the substrate in the decorated cavities of Asturias and Cantabria. With this aim, we established a series of specific objectives that seek to determine whether already known figures are more complete than previously believed to be when considering the use of the substrate, as well as finding patterns in the use of topographic elements in relation to the selected cavities, such as the type of figures / motifs represented and the chronological period in which they were inscribed...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Bellas Artes, leída el 01-12-2021