Publication: Conservación y Exposición de Patrimonio Móvil
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2022-05-06
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Universidad Complutense de Madrid
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Abstract
La investigación llevada a cabo bajo el título Conservación y Exposición del Patrimonio Móvil, nace de una forma diferente de observar el patrimonio cultural. Una nueva visión que pone el punto de atención en una característica específica: el movimiento. La mayor parte de objetos patrimoniales se mueven, en su totalidad, o están formados por partes móviles, las cuales son esenciales para ejercer la función para la que una vez fueron creados o inventados. Estos objetos, además, se incluyen en casi todas las categorías en que tradicionalmente se ha dividido el patrimonio, sea: inmueble, mueble, industrial, científico, técnico, artístico e, incluso, mostrando un fuerte vínculo con el patrimonio inmaterial o intangible. Es una demostración del recorrido transversal que realiza sobre todas las categorías patrimoniales. Para estudiar el tema, empezamos definiendo a qué nos referimos cuando hablamos de lo que podríamos considerar una nueva categoría: el patrimonio móvil e ilustramos su heterogeneidad y amplitud. Se analizará, desde el punto de vista de la conservación y dela exposición, qué tipo de tratamiento o consideración reciben dichos objetos en diferentes museos españoles y extranjeros. También cuál es el parecer de los profesionales, desde el punto de vista de su ejercicio profesional y desde el sentir personal. Comprobaremos hasta qué punto existe un tratamiento diferencial entre los objetos en función del tipo de colección al que pertenecen y supeditado a criterios personales, no institucionales o normativos, de sus custodios...
The research carried out under the title "Conservation and Exposition of Mobile Heritage", was born from a different way of observing cultural heritage. A new vision that puts the focus on a specific characteristic: movement. Most heritage objects move, in their entirety, or are made up of moving parts, which are essential to perform the function for which they were once created or invented. These objects, moreover, are included in almost all the categories into which heritage has traditionally been divided, be it: immovable, movable, industrial, scientific, technical, artistic, and even showing a strong link to intangible or immaterial heritage. It is a demonstration of the cross-sectional journey that it makes on all heritage categories.To study the subject, we start by defining a new category: Mobile Heritage and we illustrate its heterogeneity and amplitude. We will analyse from the point of view of conservation and exhibition, what kind of treatment or consideration these objects receive in different Spanish and foreign museums. In addition, what is the opinion of the professionals, from the point of view of their professional practice and personal experience. We will check to what extent there is a differential treatment between the objects depending on the type of collection to which they belong and subject to personal criteria, not institutional or regulatory, of their custodians...
The research carried out under the title "Conservation and Exposition of Mobile Heritage", was born from a different way of observing cultural heritage. A new vision that puts the focus on a specific characteristic: movement. Most heritage objects move, in their entirety, or are made up of moving parts, which are essential to perform the function for which they were once created or invented. These objects, moreover, are included in almost all the categories into which heritage has traditionally been divided, be it: immovable, movable, industrial, scientific, technical, artistic, and even showing a strong link to intangible or immaterial heritage. It is a demonstration of the cross-sectional journey that it makes on all heritage categories.To study the subject, we start by defining a new category: Mobile Heritage and we illustrate its heterogeneity and amplitude. We will analyse from the point of view of conservation and exhibition, what kind of treatment or consideration these objects receive in different Spanish and foreign museums. In addition, what is the opinion of the professionals, from the point of view of their professional practice and personal experience. We will check to what extent there is a differential treatment between the objects depending on the type of collection to which they belong and subject to personal criteria, not institutional or regulatory, of their custodians...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Bellas Artes, leída el 25-02-2022