Publication: La creación cinematográfica participativa como medio para la narración de experiencias adversas con la población migrante
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2022-08-05
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Universidad Complutense de Madrid
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Abstract
Esta investigación titulada “La creación cinematográfica participativa como medio para la narración de experiencias adversas con población migrante” se propone contribuir al conocimiento sobre el potencial terapéutico del arte y, en particular, de los procesos de creación cinematográfica participativa, para la narración de experiencias adversas con personas migrantes. Los procesos migratorios suelen estar relacionados a la pérdida, a lo traumático y a la incertidumbre, causando experiencias de sufrimiento que son difíciles de expresar y poner en palabra. Los lenguajes artísticos, gracias a su carácter simbólico y a las dinámicas que se desencadenan en el proceso creador, se plantean como una vía adecuada para el abordaje y la expresión de las propias vivencias y emociones, y para re-significar las experiencias traumáticas vividas. Dentro de este marco, esta tesis doctoral pretende explorar y analizar cómo la creación cinematográfica participativa puede ser un medio parala narración de experiencias adversas para la población migrante, contribuyendo así en su proceso de elaboración del trauma, mediante la implementación de metodologías de intervención propias del cine participativo y el análisis de los resultados de su aplicación. Para la consecución de este objetivo general, se ha profundizado sobre las dinámicas y las fases de procesos de creación cinematográfica participativa, se han analizado los contenidos que emergen de la aplicación de estos tipos de prácticas con personas migrantes y se ha explorado el sentido que tiene para ellas narrar experiencias adversas mediante estas metodologías...
This research entitled “Participatory filmmaking as a medium for the narration of adverse experiences with a migrant population” aims to contribute to the knowledge about the therapeutic potential of art and of participatory filmmaking processes, for the narration of adverse experiences with migrants. Migration processes are often related to loss, trauma, and uncertainty, causing experiences of suffering that are difficult to express and to put into words. Artistic languages, thanks to their symbolic character and the dynamics that are activated in the creative process, are an appropriate way to approach and express one’s own experiences and emotions, and to re-signify traumatic experiences. Within this framework, this doctoral thesis aims to explore and analyze how participatory filmmaking can be a tool for the narration of adverse experiences for the migrant population, contributing to their process of trauma elaboration, through the implementation of participatory filmmaking intervention methodologies and the analysis of the results of their application. To achieve this general objective, the dynamics and phases of participatory filmmaking processes have been studied in depth, the contents that emerge from the application of these types of practices with migrants have been analyzed, and the meaning that narrating adverse experiences through these methodologies has for them has been explored...
This research entitled “Participatory filmmaking as a medium for the narration of adverse experiences with a migrant population” aims to contribute to the knowledge about the therapeutic potential of art and of participatory filmmaking processes, for the narration of adverse experiences with migrants. Migration processes are often related to loss, trauma, and uncertainty, causing experiences of suffering that are difficult to express and to put into words. Artistic languages, thanks to their symbolic character and the dynamics that are activated in the creative process, are an appropriate way to approach and express one’s own experiences and emotions, and to re-signify traumatic experiences. Within this framework, this doctoral thesis aims to explore and analyze how participatory filmmaking can be a tool for the narration of adverse experiences for the migrant population, contributing to their process of trauma elaboration, through the implementation of participatory filmmaking intervention methodologies and the analysis of the results of their application. To achieve this general objective, the dynamics and phases of participatory filmmaking processes have been studied in depth, the contents that emerge from the application of these types of practices with migrants have been analyzed, and the meaning that narrating adverse experiences through these methodologies has for them has been explored...
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esis inédita de la Universidad Complutense de Madrid, Facultad de Educación, leída el 11-03-2022