Publication: Las secuencias del manuscrito Tortosa, Archivo Capitular, Cód. 135: estudio y edición crítica
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2022-02-04
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Universidad Complutense de Madrid
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Abstract
El presente trabajo de investigación pretende estudiar, analizar y editar el repertorio de secuencias del tropario-prosario Tortosa, Archivo de la Catedral, ms. 135. Este manuscrito, que fue realizado en Tortosa en el siglo XIII, se puede considerar como uno de los más representativos dentro del repertorio español de secuencias, por varios motivos: en primer lugar, porque contiene un número elevado de estas, nada menos que 77, superado únicamente, en lo que concierne a secuencias con melodía, por Huesca, Archivo de la Catedral, Ms. 4, Prosarium-Troparium, siglo XII, de San Juan de la Peña; en segundo lugar, porque en él encontramos una muestra bastante equilibrada de todos los estilos que atraviesa el género; y, por último, porque cuenta con un interesante apéndice de secuencias exclusivamente dedicadas a la Virgen María. Además de sacar a la luz una edición y estudio de las secuencias del manuscrito, esta tesis intenta establecer una comparación con otras fuentes españolas. De esta manera, será posible descubrir conexiones, corrientes e influencias con el resto del repertorio, al definir los perfiles regionales y las transferencias culturales. Además podremos descubrir el papel que dichas secuencias y el propio manuscrito tienen dentro del contexto español. Se dará también una relación de fuentes europeas concordantes para cada secuencia, con el propósito de intentar señalar vías de intercambio, difusión, y en definitiva, vida de dichas composiciones...
The present research work aims to study, analyze and publish the sequences repertory of the troper-proser manuscript 135 in Tortosa’s Cathedral Archive. This manuscript, which was made in Tortosa in the 13th century, can be considered as one of the most representative samples in the Spanish repertory of the troper-proser for several reasons: firstly, because of the large number of sequences (no less than 77) it contains which, in terms of melody sequences, goes after only to Huesca’s Cathedral Archive, Ms. 4. Prosarium-Troparium, 12th century, from San Juan de la Peña; secondly, because within it we find a clear sample of all the styles belonging to this genre; and finally, because it shows an interesting appendix of sequences exclusively dedicated to the Virgin Mary. Apart from publishing an edition and a further study of the sequences in this manuscript, the present research tries to establish a comparison with other sources in Spain. Thus, some connections, common features and influences from other repertories can be found when defining possible regional profiles and cultural transfers. Besides, we can discover the role that these sequences and the manuscript itself may play in the Spanish context...
The present research work aims to study, analyze and publish the sequences repertory of the troper-proser manuscript 135 in Tortosa’s Cathedral Archive. This manuscript, which was made in Tortosa in the 13th century, can be considered as one of the most representative samples in the Spanish repertory of the troper-proser for several reasons: firstly, because of the large number of sequences (no less than 77) it contains which, in terms of melody sequences, goes after only to Huesca’s Cathedral Archive, Ms. 4. Prosarium-Troparium, 12th century, from San Juan de la Peña; secondly, because within it we find a clear sample of all the styles belonging to this genre; and finally, because it shows an interesting appendix of sequences exclusively dedicated to the Virgin Mary. Apart from publishing an edition and a further study of the sequences in this manuscript, the present research tries to establish a comparison with other sources in Spain. Thus, some connections, common features and influences from other repertories can be found when defining possible regional profiles and cultural transfers. Besides, we can discover the role that these sequences and the manuscript itself may play in the Spanish context...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Geografía e Historia, Departamento de Musicología, leída el 19-01-2021