Publication: Semántica ficcional y concepciones del tiempo : mundos y paradigmas temporales en la narrativa de Ursula K. Le Guin, Kurt Vonnegut y Juan Gómez Bárcena
Loading...
Files
Official URL
Full text at PDC
Publication Date
2022-04-25
Authors
Advisors (or tutors)
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Complutense de Madrid
Citations
Exportar
Abstract
La presente tesis persigue tres metas, que se entrelazan en un triple objetivo: 1)Mostrar la validez y fecundidad de la semántica ficcional de Lubomír Doležel como marco explicativo y como método de análisis de obras literarias. 2) Comprobar el uso del tiempo y el papel esencial que pueden desempeñar sus concepciones en la configuración de mundos ficcionales. 3) Poner de manifiesto cómo tres escritores contemporáneos de ciencia ficción y fantasía, Ursula K. Le Guin, Kurt Vonnegut y Juan Gómez Bárcena, han sabido expresar en sus obras narrativas por medio de paradigmas temporales las inquietudes del mundo en que vivimos. Comienza con una exposición de la semántica ficcional tal como se presenta en la obra de Doležel Heterocósmica, completando el marco de indagación con los planteamientos de otros autores como Eco, Iser, Pavel, Ryan, Harshaw, Genette, Bajtín, Pozuelo Yvancos, Garrido Domínguez, Ávila y Popeanga. Se procede en apartados posteriores a una propuesta de tipificación de los mundos ficcionales según la densidad de su textura y a una clasificación genérica de los mundos narrativos en la que se postulan dos nuevas categorías (la enajenada y la liminar), efectuada a partir de la semántica ficcional y tomando en consideración en lo referente a la configuración y definición de los fantásticos, maravillosos y de ciencia ficción las teorías de Moreno Serrano, Todorov, Roas, Campra y Alazraki...
The present doctoral thesis has three aims that configure a triple objective: 1)Highlight the worth whileness of Lubomír Doležel’s fictional semantics as a theoretical frame and its fruitfulness as a method of literary analysis. 2) Verify time’s use innarrative and the essential role that time conceptions can play in the configuration of fictional worlds. 3) Point out the way in which three contemporary science fiction and fantasy writers, Ursula K. Le Guin, Kurt Vonnegut and Juan Gómez Bárcena, have achieved to express the current world concerns in their narrative works using temporal paradigms.The thesis begins with the exposition of the fictional semantics theory as presented in Doležel’s essay Heterocosmica, whose frame is completed with approaches of other authors like Eco, Iser, Pavel, Ryan, Harshaw, Genette, Bajtín, Pozuelo Yvancos, Garrido Domínguez, Ávila and Popeanga. Afterwards, a typification of fictional worlds by their textual density and a classification of narrative worlds genres with the addition of two new category (alienated and liminal) are worked out from the fictional semantics paradigms, taking also into consideration theories of Moreno Serrano, Todorov, Roas, Campra and Alazraki about the configuration and definition of fantastic, marvelous and science fiction worlds...
The present doctoral thesis has three aims that configure a triple objective: 1)Highlight the worth whileness of Lubomír Doležel’s fictional semantics as a theoretical frame and its fruitfulness as a method of literary analysis. 2) Verify time’s use innarrative and the essential role that time conceptions can play in the configuration of fictional worlds. 3) Point out the way in which three contemporary science fiction and fantasy writers, Ursula K. Le Guin, Kurt Vonnegut and Juan Gómez Bárcena, have achieved to express the current world concerns in their narrative works using temporal paradigms.The thesis begins with the exposition of the fictional semantics theory as presented in Doležel’s essay Heterocosmica, whose frame is completed with approaches of other authors like Eco, Iser, Pavel, Ryan, Harshaw, Genette, Bajtín, Pozuelo Yvancos, Garrido Domínguez, Ávila and Popeanga. Afterwards, a typification of fictional worlds by their textual density and a classification of narrative worlds genres with the addition of two new category (alienated and liminal) are worked out from the fictional semantics paradigms, taking also into consideration theories of Moreno Serrano, Todorov, Roas, Campra and Alazraki about the configuration and definition of fantastic, marvelous and science fiction worlds...
Description
Tesis inédita de la Universidad Complutense de Madrid, Facultad de Filología, leída el 21-01-2022