Publication: El imaginario medievalista en la ficción narrativa ibérica contemporánea: una poética del extrañamiento
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2022-10-26
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Cardoso Pereira, Paulo Alexandre
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Universidad Complutense de Madrid
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Abstract
Este proyecto de tesis se dedica a la descripción y al estudio de un elenco representativo de relatos y novelas medievalistas provenientes de las tradiciones literarias portuguesa y castellana, publicados entre los años sesenta del siglo XX y la actualidad. El cometido es alcanzar los siguientes objetivos: en primer lugar, documentar el fenómeno y corroborarlo, identificando un conjunto representativo de títulos que deban su argumento – o, al menos, parte de él – a motivos relacionados con la Edad Media y, en segundo lugar, contextualizar ese corpus en función de sus particularidades genéricas, por un lado, y argumentales/temáticas, por otro, poniéndolas en relación a partir de un método comparatista. El tercer y último objetivo es el principal: plantear una “poética del extrañamiento”, definiendo seis rasgos con una funcionalidad vertebradora a partir del conjunto de ficción medievalista seleccionado. Los seis capítulos principales de este trabajo se dedican al estudio de una serie de elementos temáticos y retóricos que ayudan a plantear un sistema de convenciones sobre la práctica del Medievalismo literario en la actualidad. El capítulo “La máscara del Medievo y sus artificios desfigurativos” analiza la persistencia de una serie de representaciones grotescas en la construcción del imaginario sobre la Edad Media – relacionadas con una estética de carnavalización –, que permite fundamentar las estrategias de acercamiento/distanciamiento por parte del público lector...
The project of this thesis is dedicated to the study of a representative list of medievalist short stories and novels from the Portuguese and Castilian literary tradition, published between the1960s and the present days. The aims of this study are the following: first, to document and validate the phenomenon, identifying a representative set of titles whose plot – or at least part of it – is related to the Middle Ages and, secondly, contextualize this corpus in terms of genre features, on the one hand, and thematic ones, on the other, by using a comparative method. Thethird and last aim is the main one: to put forward a “poetics of estrangement”, outlining six especially remarkable features from the selected set of medievalist fiction. The six main chapters of this project are dedicated to the study of a series of thematic and rhetoric elements that enable the definition of a set of conventions on the current practice of literary Medievalism. The chapter “The Mask of the Middle Ages and its Disfiguring Artifices” analyses the existence of a series of grotesque representations in the construction of the Middle Ages imaginary – related to an aesthetic of carnivalization –, which allows to substantiate the reader’s proximity/alienation strategies...
The project of this thesis is dedicated to the study of a representative list of medievalist short stories and novels from the Portuguese and Castilian literary tradition, published between the1960s and the present days. The aims of this study are the following: first, to document and validate the phenomenon, identifying a representative set of titles whose plot – or at least part of it – is related to the Middle Ages and, secondly, contextualize this corpus in terms of genre features, on the one hand, and thematic ones, on the other, by using a comparative method. Thethird and last aim is the main one: to put forward a “poetics of estrangement”, outlining six especially remarkable features from the selected set of medievalist fiction. The six main chapters of this project are dedicated to the study of a series of thematic and rhetoric elements that enable the definition of a set of conventions on the current practice of literary Medievalism. The chapter “The Mask of the Middle Ages and its Disfiguring Artifices” analyses the existence of a series of grotesque representations in the construction of the Middle Ages imaginary – related to an aesthetic of carnivalization –, which allows to substantiate the reader’s proximity/alienation strategies...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Filología, leída el 07-03-2022