Publication: El discurso cinematográfico español en la década de los 70 : análisis narrativo del tardofranquismo a la Transición
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2022-11-22
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Universidad Complutense de Madrid
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Abstract
Los años setenta trajeron consigo una diversidad de eventos desde el plano internacional, entre los que se encuentran un fuerte movimiento feminista, la llegada del vídeo doméstico y, también, la “era dorada” de la pornografía. En los estertores del franquismo y con la llegada dela Transición, el cine español vivió este particular fenómeno en lo que popularmente se denominó el “destape”: un cambio relevante en el discurso cinematográfico. Esta investigación tiene por objeto el cine nacional en su planteamiento narrativo. Se acota el contexto en lo espacial, España, y temporal: últimos años del tardofranquismo y los primeros dela Transición española. Se parte de la motivación por conocer el cine español de los setenta en su máxima extensión con el foco en la evolución de sus discursos desde el año 1970 a 1979. Enel proceso, no se marginan textos fílmicos por su débil impacto en taquilla o su índole argumental, si bien estos datos son tenidos en cuenta en la observación de la evolución de las tendencias, como también la respuesta del público a las mismas. Los objetivos se fundamentan en conocer los rasgos argumentales de mayor reincidencia para relacionar la evolución de los planteamientos narrativos, la flexibilidad y el cambio de las propuestas discursivas con respecto a los últimos años del franquismo y el inicio de la Transición. Con este cometido, resulta necesaria la recogida de datos y el visionado de la filmografía del decenio, que abarcó diversos planteamientos narrativos entre los que se encuentran el cine de género, tercera vía, comedia comercial o cine `S´ entre otros varios...
The seventies brought a diversity of international events, such as a strong feminist movement, the arrival of home video and, also, the “golden age” of pornography. In the throes of Francoism and the first part the Transition, Spanish cinema experienced this media phenomenon through what has been known as "el destape", which meant a drastic change in cinematographic narrative.The object of this research is the national cinema and its narrative functioning. The context is limited in terms of space, Spain, and time: the last years of the late Franco regime and the first years of the Spanish Transition. The main motivation is getting to know the Spanish cinema of the seventies in its extension with the focus on the evolution of its discourses from 1970 to 1979. In the process, films of weak impact on the box office as well as a diversity of narrative genres have been included. Anyhow, they have been taken into account to observe the evolution of narrative trends, as well as the public's response to them. The objectives are based on knowing the plot features of greatest recidivism, as well as relating the evolution of the narrative approaches, the flexibility and the change of the discursive proposals with respect to the last years of the Franco regime and the beginning of the Transition. For this purpose, it has been necessary the collection of film data, as well as watching the filmography of the decade, which encompassed various narrative approaches including genre cinema, “third way”, commercial comedy or 'S' cinema, among others...
The seventies brought a diversity of international events, such as a strong feminist movement, the arrival of home video and, also, the “golden age” of pornography. In the throes of Francoism and the first part the Transition, Spanish cinema experienced this media phenomenon through what has been known as "el destape", which meant a drastic change in cinematographic narrative.The object of this research is the national cinema and its narrative functioning. The context is limited in terms of space, Spain, and time: the last years of the late Franco regime and the first years of the Spanish Transition. The main motivation is getting to know the Spanish cinema of the seventies in its extension with the focus on the evolution of its discourses from 1970 to 1979. In the process, films of weak impact on the box office as well as a diversity of narrative genres have been included. Anyhow, they have been taken into account to observe the evolution of narrative trends, as well as the public's response to them. The objectives are based on knowing the plot features of greatest recidivism, as well as relating the evolution of the narrative approaches, the flexibility and the change of the discursive proposals with respect to the last years of the Franco regime and the beginning of the Transition. For this purpose, it has been necessary the collection of film data, as well as watching the filmography of the decade, which encompassed various narrative approaches including genre cinema, “third way”, commercial comedy or 'S' cinema, among others...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Ciencias de la Información, leída el 11-05-2022